Art Business Ideas

Art Business Ideas

Art Business Definition 

Hobbyist Artist

Everyone starts out as a hobby artist.

You pick up some pencils and paper and start drawing.

Next you may move onto markers or paint.

If you are a potter, you make endless mini bowls and hone your craft.

If you are a dyer of thread or weaver of yarns, you start making little cloths, table mats and other bits and bobs.

At some point you may shift your focus onto one particular art type or medium that you enjoy and at which you are quite good.

You keep going and make art worthy of hanging on the wall or of adorning the living roon coffee table.

You go to the craft or art store and buy what you need to make the art you have begun to love.

You acquire more and more art supplies for your hobby.

Your hobby costs you.

You may start a monthly budget just for your art supplies or even an art class because you find joy in doing your hobby.

You have a hobby when you spend money on your craft. 

Professional Artist

You are professional artist when you earn your first dollar from your art.

Your first sale can be small, like selling a painting, greeting card, pottery bowl or handmade soap. 

The exchange of money for art is the signal that you are a professional artist even if you don’t think you are.

But perhaps you don’t feel you belong…

Imposter Syndrome

You may not think you are a professional artist for several reasons:

  • Because you have a day job
  • Because you are not trained
  • Because everyone knows you are not an artist
  • Because you know you are not an artist

Making money from art as a side job is the best way to gently move into having an art business. 

Many artists still have day jobs, but they are artists at the weekend and in the evenings.

Reluctant Artists

A reluctant artist is someone who makes beautiful things which bring joy to themselves and others and which other people want and offer to buy.

If your neighbor, when they see your acrylic painting, says to you, “Please make me one for my kid’s teacher at school, I’ll pay you. How much will you charge?”

You reply, “Oh yeah, well, hmm…”

This is a clear statement that you may be a reluctant artist.

Think about it.

You are merely one step away from making your first dollar from your art. And when you earn your first dollar you are a professional artist.

This change of status could require a mind shift.

You must mentally accept that you can, and should, be an artist.

Who is to say that you can’t have a day job or be a full-time mom and also be a weekend professional artist?

Permission

It can be a psychological revelation that you can, and should be, an artist.

The first step is for you to believe it yourself

The second step is for your close family to believe that you are an artist. This can take time and I have more on this later.

The third step is letting the whole world know that you are an artist.

Give yourself permission to say you are an artist.

Say out loud. “I am an artist.”

Visualization

Visualization is a powerful tool which can be used in your favor.

If you can visualize yourself as an artist then you will become one.

If you can imagine creating beautiful art, that is desired by others, then you can be an artist.

Never dismiss the power of visualization in realizing your dreams.

Art Business Ideas

Artist Vision Board

A vision board is a physical representation for all of your visions.

How to Make an Artists Vision Board

You choose images and words for your artist vision board which supports the life you are trying to manifest, for example, a life of being an artist.

An artist’s vision board will have pictures of how you see yourself as an artist.

Here are some suggestions about what to put on your artist vision board:

  • If you want to sell your art online, have images of your website and computers.

  • If you want to sell your art a craft market, add images of craft markets and stick a photo cut out of you there doing the selling.

  • If you want to be accepted into an art gallery, then add a picture of a gallery and glue some of your art works on the walls.

  • If you want to own an art gallery, then place a map where you want to be located and draw a shopfront of a gallery. Add images of gallery openings and words like,”Gallery opening” and “Local Artist Show.”
  • If you want to teach your style of art to others, show a classroom with art students pouring over their works and listening to you teaching them. Add words like, “Art Teacher” and “Art Classes by Your name.”

  • If you want to own an art studio, add images of how you see your studio with tables, easels and paint pots all around. Include words like, “Art Classes,” “Fun Creative Classes” and “Celebrate Art with Us.”

  • If you want to organize art retreats for groups to come and immerse themselves in your art style, add images of a hotel in the mountains with people paining, potting or sculpting in a group and enjoying themselves. Include words like, “Art Retreat”, “Weekend Getaway” and “Learn Art Now.”

Where to Put Your Artist’s Vision Board

Place your artist vision board where you will see it every morning and evening.

A great place is in your bathroom.

In the bathroom you will see the images and read the inspirational words every morning before your day begins.

You will be reminded of your visions each evening as you get ready for bed.

The bathroom is a great spot because it stimulates your acknowledgement of what you are trying to achieve every morning and evening.

Where Not to Place Your Artist Vision Board

If you have people in your home who do not support your dream to become an artist, avoid putting your artist vision board in public rooms in your home like the hallway, kitchen or living room.

If you live alone this does not count.

When to Consider Yourself as Having an Art Business

If you are reading this, you are probably toying with the idea of starting an art business.

Slow Growth

There is no rush to become profitable, famous or acclaimed as an artist.

Slow growth refers to slowly building your art business one step at a time.

You plan where you want to go and every move you make is a step in the direction to have an art business.

Enjoy the process.

Success

Set yourself up for success. 

Decide what success looks like for you which may not be the traditional meaning of success.

Is success for you:

  • Selling one art piece
  • Selling lots of art at a craft fair
  • Selling your art online
  • Selling enough to cover your overheads and quit your day job
  • Becoming well-known as an artist
  • Becoming an art influencer
  • Becoming collectable

Do not live someone else’s dream.

Getting Started in Your Art Business 

Here are some ideas on how to start an art business.

We will start by dealing with the practicalities.

I can’t talk much about registering a business, as that will be different in every country.

You may need a lawyer to help you set up a limited company but this is not necessary immediately.

Get business advice from experts in you area. Do not ask your neighbour or your hairdresser, seek proper advice.

Art Business Name

You need to decide on an art business name.

Your Art Business Name

You can call yourself Annie’s Art, Annie Parker Art or AP Art.

The best one here is you full name.

For example, Annie Parker Art, Prunella Stinson Art, Zane Isaacs Art or Alison Hazel Art.

Note if you are a married woman and you use your husband’s last name, and you get divorced in the future, you may not like to use his name then.

Pseudonyms

You can use a made-up name or a pseudonym like, Emily Brontë Art.

This is a good idea if you do not want to use your real name or if you real name is difficult to spell, or otherwise challenging.

Meaningful Names

A meaningful art business name is one that means something to you.

For example, if you love emeralds, you could call yourself Emerald Art Studio.

If you do abstract art, you could call yourself The Abstract Art Studio.

Location

Adding a town, city or area to your business name can be tricky.

Avoid location specific names like:

  • Miami Art
  • Midwest Art
  • Montreal Art

Because if you move from this city of geographical area, your art business name will not work.

Think ahead to the future.

Online Presence

Website

You need a website, it is essential.

Your website should be owned by you. It is your online business card.

Your website is the mothership and everything else you ever do (YouTube, Pinterest, Instagram, newsletters etc. ) feeds back to the mothership.

Domain Name

Your domain name is your business name with .com at the end.

A .com extension means it is a commercial business.

I recommend Dreamhost for self-hosting. I have personally been with Dreamhost since 2002 and they have hosted various other websites for myself and my family, including this one.

Before you decide on an art business name, check your proposed art business name in Google with the addition of .com at the end.

For example, if you want Emily Brontë Art as your business name then in Google type emilybronteart.com and see what comes up.

Your domain host will be able to tell you if your proposed art business name has already been taken.

Self-hosting

You want to be self-hosting which means you own your website and the extension is .com.

Watch out for hosting places like SquareSpace and Blogspot where the extension is yourartbusinessname.squarespace.com or yourartbusinessname.blogspot.com.

With these websites you can be limited on what you can do with the website.

Whereas if you self-host you can do anything with your website.

Aspiring Artist Activity – First Steps

What are you waiting for?

Give yourself one day to do the following:

  • Brainstorm a few art business names
  • Check if your proposed art business names are available with the dot com extension by Googling and with your host comapny
  • Decide on a name for your art business
  • Register the domain name for your art business (use Dreamhost)
  • Setup web hosting (use Dreamhost)

More Art Articles

If your enjoyed this post you may find more that will interest you on our site in these posts.

How to Set Up an Artist’s Vision Board 

How to Set Up an Artist’s Vision Board 

Author: Alison Hazel   -   Last updated: January 2025 Artist Vision Board Over the years, your creative energy and passion for art will no doubt ebb and flow. Hopefully it will evolve as well. Sometimes it's hard to stay motivated. You might not have any creative...

Crystal Ink Swatches

Crystal Ink Swatches

Ink Swatches

This time I’m creating color ink swatches for the seven colours of the rainbow.

I’ve always felt that paint, ink or colored pencil swatching could be created in a way to make an art piece.

I like working with color and art but dislike not having anything to show for it at the end.

I believe that all my art practice should be beautiful and so I decided to take my swatching up a notch.

Instead of just doing the swatch on a square grid, I’m going to create some artworks as I do this swatch.

These will be in the shape of crystals.

I’ll be using my new favorite Windsor and Newton drawing inks.

 

 

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Seven

Seven is a popular number found in everyday life. There are seven days of the week and seven colors of the rainbow, seven chakras and now seven crystal forms.

I’ll be using the seven colors of the rainbow for my ink swatches.

I selected one of the seven forms with a crystal in that form which matches the colour. I will be using artistic license for these images.

Clearly, I’m not using all the colors available in the Windsor and Newton drawing inks range.

Rainbow

It’s always handy to work in groups of seven as there are seven colours in the rainbow. These colours are broken out from white light which is the true energy.

The seven colours of the rainbow in order are red, orange, yellow, green, blue, indigo and violet.

In a rainbow usually the red is always on the outer circle and violet is always on the inner cycle.

Beyond both ends of the rainbow is where we find infrared, before the red, and ultraviolet, after the violet.

We cannot see these color with our eyes, although scientists can measure them.

Art Supplies

For swatches or ink swatches you can use what you have.

There really is no need to get the exact supplies that I’m using. I believe as an artist you probably have what you need right in your own home.

The specific art supplies which I used are listed here:

Art supplies

Crystal Forms

In nature, a crystal habit is how it forms.

A crystal’s form is determined by the number of axes and faces on the crystal.

The seven crystal forms are:

  • Isometric
  • Tetragonal
  • Triclinic
  • Hexagonal
  • Monoclinic
  • Orthorhombic
  • Trigonal

Each of the crystal forms has many crystals associated within that form.

I have selected one colour from each group that matches one of the seven colours of the rainbow for my drawing ink swatches.

Isometric Crystal

Definition

Isometric crystals have all three axes the same and are at right angles to each other.

Isometric Crystal Examples

Examples of isometric crystals are the garnet an icositetrahedron and the spinel an octahedron.

An example of a red crystal in the isometric crystal form is the garnet.

Isometric Crystal Examples

Examples of isometric crystals are the garnet an icositetrahedron and the spinel an octahedron.

An example of a red crystal in the isometric crystal form is the garnet.

Orthorhombic Crystal

Definition

Orthorhombic crystals have three axes of unequal length. Two are at right angles to one another and the third is perpendicular.

Orthorhombic Crystal Examples

Examples of the orthorhombic crystal structure are the peridot and topaz.

I chose to draw an orange crystal from the orthombic form and this one is a topaz.

Tetragonal Crystal

Definition

Tetragonal crystals have three axes which are at right angles to each other. The two on the same plane are equal in length while the third is perpendicular to this plane and of different length.

Tetragonal Crystal Examples

Examples of tetragonal crystals are the zircon and the scapolite.

An a yellow crystal in the tetragonal form is scheelite.

Hexagonal Crystal

Definition

The hexagonal crystal has three of the four axes all in one plane and intersect at 60°. The 4th axis is perpendicular and unequal in length to the other. There are six planes of symmetry.

Hexagonal Crystal Examples

Examples of hexagonal crystal are the apatite and the beryl.

A much-loved hexagonal form crystal is the emerald which are green.

Triclinic Crystal

Definition

The triclinic crystal has three axes of unequal length all inclined to one another at different angles.

Triclinic Crystal Examples

Amazonite (alkali feldspar) and rhodonite are examples of the triclinic crystal form.

The example I’ve chosen for a blue crystal in the triclinic form is the turquoise blue.

Monoclinic Crystal

Definition

The monoclinic crystal has three axes of unequal length. Two intersect at an oblique angle in one plane and the third is perpendicular.

Monoclinic Crystal Examples

Examples of monoclinic crystals are the epidote and orthoclase feldspar.

In the monoclinic crystal form I have selected the crystal chrysocolla which is often an indigo color.

Trigonal Crystal

Definition

The trigonal crystal is similar to the hexagonal system. There are three axes at 60° to each other in the same plane. The fourth axis is perpendicular. There are three planes of symmetry.

Trigonal Crystal Examples

Quartz and sapphire are examples of the trigonal crystal form.

There are many crystals in the trigonal form and the one I have chosen is amethyst which is violet.

Amethyst Cluster

A popular way to draw an amethyst is in cluster form.

These are highly popular crystals because they form points and sometimes points for both ends.

They are often used in new age practices and crystal healing.

An amethyst cluster will emanate good energy into a room.

Crystal clusters are highly popular as gorgeous décor items which you can place on a coffee table.

Amethyst Cathedrals

The way amethyst crystals grow are sometimes as original bubbles trapped within an ancient lava flow.

The minerals get trapped within the bubble and overtime crystallize.

These bubbles can either be small as geodes, but when they became very big, they are known as cathedrals.

An amethyst cathedral can be spectacular and a great addition to your home or office style.

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Process

Many of you ask about my process and how I created this artwork.

Research for Ink Swatches

I did some research to start with as I needed seven crystals in particular colors.

I wanted the color sequence to go as on the rainbow which is from red to violet.

I had to explore the crystal forms and find out which crystals were the correct color that I required to use for my rainbow.

Crystal Forms

I investigated each crystal form to find for instance a red crystal for the isometric and a green crystal for the hexagonal.

Even though there are many different crystals within the same form they’re not all the same colors.

I also spent quite a bit of time studying the crystal axes and faces and what that really meant.

To be honest I still don’t fully understand this part, but I do have a couple of sketches to help determine which crystal is which.

Pencil Sketch

Seven Crystals

Once I had decided which color crystal I was going to use for each form, I laid the crystal shapes out in the order of the colors that I had chosen because I wanted it to go from red to violet.

Now technically this may not be the natural way that you would list crystals because I understand there is a particular pattern, but I moved it around because I wanted to use the different colors crystals.

What the forms were didn’t really matter to me because I was going to be using my inks.

With a 2H pencil I started with to lightly sketch out these crystals.

Although technically when a crystal grows it can be perfect, very often in nature they are not.

Crystals frequently contain flaws, imperfections, cracks and cloudiness within them.

It all depends on which other minerals were around at the time it grew.

When you draw your crystals, they don’t have to be exact and mine certainly are not.

Black Pen

With a 0.5mm black pen and I went over the main outlines of the shapes.

I used a light touch because these lines are a guide on where to place the ink.

crystal image

Colored Ink

Now comes the fun part where we start to use the colored drawing inks.

Red Ink

I started with the red end, so the ink color is called deep red.

I took a clean paint brush and put some of the red ink into the well on my palette so I can see what I’m doing.

With a clean paintbrush which had water on it, I gently laid some water over the shape of the crystal.

Next, I picked up my red ink on my paintbrush, not diluted, and I started dabbing it into the water of the shape of the crystal on the page, so it will naturally disperse and move.

In a way ink is very much like watercolor but it is lighter, and I do enjoy using it.

Orange Ink

For the second crystal, which is orange, I used the ink called orange which is great.

With a clean paint brush, I picked up some orange ink straight out of the ink pot and put it into my palette well.

Then I wet the shape of the crystal with some plain water and dabbed some orange straight onto the crystal.

The idea that I was going for is that it would create a mottled effect, but we can still see the color of the ink.

I’m making ink swatches is so even though there will be some dark areas of ink there will be a lot of light parts as well.

Yellow Ink

There are a couple of yellow inks in the Winsor and Newton drawing in collection.

I chose the Canary yellow for this project.

With a clean paintbrush, I picked up some yellow and put it in the well on my palette.

I wet the crystal with plain water and added some dabs of yellow ink.

Green Ink

For the middle hexagonal crystal, which is going to be green, I chose the ink color called Apple green.

Funnily enough there is an ink called Emerald green in this suite of inks, but I didn’t like the way it was. It was a little too blue for my liking, so that is why I went with the Apple green color.

I wet the crystal and dabbed in some Apple green ink to the crystal.

Blue Ink

The next color in the rainbow is blue. In my stash I have two blue inks namely Cobalt blue and Blue.

For this project I chose the cobalt blue for the blue crystal because I was going to use the other regular blue for the indigo.

With the clean paintbrush I picked up some cobalt ink straight from the pot and put it into the well in my palette.

Next, I wet the image of the crystal and added some cobalt ink into the shape.

Indigo Ink

For my indigo crystal I chose the ink that’s called Blue from the Windsor and Newton inks.

I believe they may have a darker blue as well or a more indigo blue, but I don’t own it, so that’s why I chose the Blue.

It also occurred to me that I could have gone in and used my regular fountain pen dark blue for this project, but that really wasn’t what I was going for.

The idea is that I’m swatching out my Windsor and Newton drawing inks.

Next I wet the crystal and then added some dabs of blue ink for the indigo crystal.

Violet Ink

For the seventh and final crystal which is going to be Violet, I chose the ink which is called Violet which is great.

In my general ink collection, I do have a purple as well which is far darker, so this Violet was a great choice for the Violet crystal.

This will be the amethyst crystal which I must say is one of my absolute favorite crystals.

For this final crystal I wet the paper and with a clean paintbrush I picked up some of the amethyst ink out of the ink pot and I dropped it into the well in my palette.

In this way I could see what I was doing I wet the image and then I gently dabbed some Violet ink into the final crystal.

Gold ink

Titles

Below each crystal I wrote the shape name, the crystal form and the name of the ink color which I used for that crystal.

Gold Ink

Because I always seem to add some gold to all the images I do, I decided I would as well this time.

After all, why not?

I got out my gold ink and with a clean paint brush and straight form the ink pot I put some glimmer and shimmer onto each of the crystals.

Conclusion

I’m very happy with the final artwork.

I truly believe that doing a color swatch doesn’t have to be boring.

To add some more interest to a swatch makes sense to me.

There are other ways to do this without even doing crystals.

Perhaps you could do fruit where you would have a red fruit and an orange fruit and a yellow fruit and, in the end, you have created a delightful little artwork as well.

I know that making swatches is a valuable part of an artist’s practice, but swatches don’t have to be humdrum.

Thank you for sharing your day with me.

Alison

Aspiring Artist Activity

For this activity (which you can do with your kids) get your art supplies to hand and your sketchbook and please do the following:

  • Choose your art medium. It could be pencil crayons watercolors or inks it’s up to you.
  • Select the seven colors red, orange, yellow, green, blue, indigo and violet.
  • Using our images as a guide, draw out seven crystal forms. If you find these drawings a bit tricky just work with the small cube first, alternatively you could do fruit.
  • Color in the crystals making sure to have some dark full color at the bottom that fades lighter towards the top.
  • Label each color with the correct color name from your art medium for example cadmium yellow so you know exactly which color you used.
  • Write a title on your swatch so you will know exactly which medium you used whether it was your Faber Castell polychromos crayons, your watercolor paints, or your Winsor and Newton drawing inks.

Share Your Artwork

You can share your artwork on social so everyone can see what you created.

If you add the hashtag #AHAactivity I can find your work as well.

 

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Alison Hazel

Author Bio

Alison Hazel is a mature woman who shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Go here to read more about Alison’s story.

If you want to send Alison a quick message go here.

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Creative Projects for Aspiring Artists

Creative Projects for Aspiring Artists

Author: Alison Hazel, Original post: January 2022, Latest update: January 2024.

Creative Projects

Allow me to share with you how I manage my creative projects as an aspiring artist. I believe that being an artist, or an aspiring artist, or even a reluctant artist is a natural way to be. Maybe you were brought up to view art as fluff and something that kids do.

Or perhaps you were programmed by your early home environment to believe that to be an artist is not a real job. Personally, I was good at art at school and I had my first artwork exhibited at the tender age of nine in the local town library’s gallery.  At high school, as I scraped through maths, science and English literature I still excelled at art.

Yet I did nothing with it…

I could always draw and doodle.

The Middle Years

After school I found a job in an office, got married and had four hungry children, here I want to say, “…and a crop in the field…” My life was busy with family, family, family. Only when my youngest daughter left home in 2019, and my husband passed away, did I have time for myself.

I turned to art and signed up for a one-day Art Retreat at the Luminous Elephant art studio in Vancouver. At this time I began sketching privately and then joined the Vancouver Urban Sketchers  group and went to a few meetings.

Alison Hazel Art

I created this website to showcase my sketches and named it Alison Hazel Art. To start with I hesitated to use the word “Art” in the title. I mean, don’t artists have degrees from prestigious universities and certificate and all that? Who was I as a mature housewife type of scribbler to call myself anything “Art” but, I reasoned that I was an aspiring artist and I am on an artistic journey. My path to become an artist is different to yours and the art I create is different to yours, but it is my journey and I’m walking this road.

Improvement

I hope to get better over time. In the past two years I’ve accumulated some markers, watercolour paint, pencil crayons, acrylic paints from my daughter’s school leftovers, ink and pens.

Perpetual Nature Journal

In May 2022 I happened upon the Daily Nature Journal channel on YouTube and my direction shifted. Starting a perpetual nature journal I began to relish journaling. Discovering International Nature Journaling week (which is every June 1st to 7th) was another sign, I mean, who knew?

Recently

I wonder what I will do next. I have some ideas about personal energy management as I do seem to get tired easily these days.

Projects

I like to have projects on the go and the main reason to have projects is that it is good to have something to get out of bed for every day.

Journals

I began with Morning Pages like Julia Cameron earlier this year and I decided my Morning Pages needed their own journal. I discovered that, as I had so many interests, I preferred to have a variety of journals. I’ve subsequently moved onto multiple journals.

Now, I have a journal for:

  • General life with a yellow cover.
  • A family memoir with a taupe cover.
  • A grimoire with a dark ocean blue cover.
  • An art journal with a sage green cover.
  • A crochet journal with a Wedgewood blue cover and a crocheted cover.
  • A perpetual nature journal with a black cover.

Sketchbooks

After struggling along with one A5 sketchbook where everthing went in, I decided that to have more than one sketchbook is a better plan and this works well for me.

Now I have sketchbooks for:

  • Field sketches size A6.
  • Field sketches size A5.
  • Watercolour size A5.
  • Grey toned paper size A5.
  • Beige toned paper size A5.
  • Black paper size A4.
  • Handmade paper which is 10cm square.

I do prefer smaller sketchbooks like A6 and A5 rather than the bigger A3 and A2 sized ones. This may be because I like to finish each artwork in one day and I can do that better with a pocket sketchbook. In a way, my art supplies seem to be breeding all by themselves.

Explore more >>> Art Supplies I Use

Quarterly or Seasonal Projects

A quarter of the year is three months or around just under 100 days. Quarters can be related to the seasons as well Spring, Summer, Autumn and Winter. When you divide the year into four segments it provides you with a good chunk of time to get something worthwhile done.

Some ideas for quarterly projects which I’m toying with are:

  • Making a large painting.
  • Creating an online course that I can teach.
  • Planning and organizing a weekend art retreat.
  • Writing or designing a book.

 

Monthly Projects

Mid-size project are my monthly projects.

In this section my creative projects maybe:

 

Weekly Projects

Small quick projects which can be easily completed in a day or two are my weekly projects.

In this category my projects could be activities such as:

  • Recording a weekly video for YouTube.
  • Writing a weekly blog post for my website (like this).
  • Creating a simple drawing or painting.
  • Shopping for art supplies.
  • Swatching my paints, coloured pencils or inks.
  • Tiding up and organizing my creator studio.
  • Attending a weekend art retreat.
  • Going to an urban sketching meetup.
  • Planning an art date with my daughters.
  • Visiting an art gallery in my city.
  • Going to the beach to sketch.

The idea is to have three different projects on the go at any one time and these are a large one, a midsized one and a small one. It is enjoyable to be able to chop and change between three different ongoing projects.

Quarterly, monthly and weekly projects provide me with creative choices depending on my mood. I don’t always have the energy for intense creation for an extended period.

If I’m honest, this is the reason I believe I, and you, will benefit from having a variety of projects on the go at once. Let me know what you think.

Pin this image to your Pinterest board.

Aspiring Artist Activity

This activity is to help you sort out your thoughts and feeklings about the direction you want your art life to go.

In your art journal and, thinking about what you would like to try on your art journey, please do the following:

List

  • List three large substantial quarterly projects.
  • List three medium sized monthly projects.
  • List three shorter weekly projects.

Start

  • Choose one from each time frame and start.

In this way you will have three different projects to get your teeth into.

Now you will have a variety of activities to keep you going and you can start to plan the next trio of projects as well.

Alison Hazel

Author Bio

Alison Hazel is a woman who shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Send Alison a quick message.

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Sketchbook – Orchid with Colored Pencils

Sketchbook – Orchid with Colored Pencils

Intro

On Mother’s Day I was fortunate enough to receive this beautiful orchid from my daughters. It was totally unexpected as I’ve never owned an orchid before.

I decided to do a sketchbook drawing of this orchid as it had such an interesting form.

Border

I drew a border around the page and with the 2H pencil sketched out the main lines of the orchid.

This is called a waterfall orchid and it’s actually supported with a plastic structure to keep its delicate shape.

I positioned the pot slightly to the left so I could have the full cascade of the waterfall petals of the orchid in the top part of the page.

I then went over it with a Sakura Pigma Micron 0.3mm black pen and firmed up the lines.

Next, I erased all the pencil marks and ran over the page with a kneadable eraser to lift up all the loose graphite.

Colored Pencils

Actually I chose a selection of colours of coloured pencils from my pencil stash.

I’m using the Faber Castell polychromos crayons and the colours are middle purple, pink rose Carmine pink madder lake, dark Naples ochre, olive green yellowish and chromium green opaque.

The main colours for this drawing are the pink of the flower with the yellow centre and the green of the leaves on the stem.

I started with the lightest pink, pink madder lake and drew some light lines coming out from the centre of the large petals.

I then took the next deeper pink and filled in the blobs that really look like a face. I do not know the names of these parts of the plant.

Finally, I took the darkest pink to do the two sort of horn bits that are sticking out which is where I understand that the insects land when they’re collecting the pollen and nectar.

I then turned my attention to the leaves and using the two shades of green I coloured them in trying to put the darker shade on the lower side of the leaves or the underside of any shaded areas.

The Pot

The pot is interesting with diamond shapes in it shown in the way it caught the light.

I just wanted to give an idea of the shape and not give all the detail, so I used a beige pen here.

I continued building up the petals working from the center outwards adding more depth of colour on some of the closeups you could see that the one bloom was facing the other way and therefore it was much darker behind then the petals that are shown at the front.

I drew a horizontal line to stabilize the plant on some kind of surface and shaded in the table with pinks and I shaded the background in a light beige.

Plant Meaning

I have a fabulous book called The Secret Language of Flowers by Samantha Gray which I use when I’m looking at my flower meanings.

It turns out that orchid has several meanings of which some are beauty, mature charm, love, refinement, thoughtfulness and many children.

On the left hand page I drew a box and wrote the plant name and chose one of the meanings which was beauty as I felt it was the strongest meaning for this specimen.

Signing the Artwork

I put my art initials AHA for Alison Hazel Art in the bottom right-hand corner in the same pen I used for the black lines.

Finally, I dated it with May 2022.

Completed Artwork

I’m really happy with how this sketch came out.

I learned that there are quite a lot of intricacies within the flower itself.

Also on the one bloom on the top left for some reason I only had four petals on it and at the last moment I added the fifth petal as I realized it was missing.

I continued to add depth of colour from the pink on the underlying petals to make them recede so that the two main petals, which were lighter, could come forward.

I’m really very happy the way this sketch came out and it’s a great addition to my sketchbook.

Aspiring Artist Activity

Take a flower that you have either in your house or some flowers you bring in from outside.
  • Sketch one or two blooms. You will probably need some greens and then perhaps two or three of the main colour in crayons.
  • Start with a pencil sketch make sure you have a border and make sure you have a horizon.
  • Colour in your plant until you’re happy with it.
  • This should be a fun project.
  • If possible, find out the meaning of the flowers which you have drawn and write a note on the left hand page.

Sharing

You can share your completed artworks with the #ahasketchbook so we can all see what you have drawn.

Thank you so much for being with me today.

Warmly,

Alison

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Being Creative When You LIve Alone

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Inukshuk – Pen and Ink

Inukshuk – Pen and Ink

Author: Alison Hazel   –   Published: June 2022

Inspiration

As a part of working on my nature journal, last weekend I went down to the beach at the coast in Vancouver. I was there last week but this week I walked further round the promenade and came across the massive inukshuk.

An inukshuk is a figure made of piled stones or boulders constructed to communicate with humans throughout Northern Canada and the Arctic and the arms point the way. The inuksuk may historically have been used for navigation, as a point of reference, a marker for travel routes, fishing places, camps, hunting grounds, places of veneration or to mark a food cache. The inukshuk in Vancouver was designed by Alvin Kanak.

Although it’s not technically a nature sketch, it certainly is outdoorsy enough for me to want to add it to my nature journal. The grey granite rocks themselves were remarkable from which this sculpture was made.

Process

I packed my little travel sketch bag with a sketchbook two pencils and an eraser. I made sure I had my phone so I could take photographs. I also loaded my Starbucks card so I could get a coffee beforehand. I had my hat and sunglasses and off I went.

I also took my transit pass which is critical for bus rides in Vancouver. I caught the bus down Davie Street to English Bay alighting at Denman Street. From there I walked back along the promenade.

The inukshuk is slightly further down from where I was the previous week when I was drawing the Canada Geese and you can check out that video here. And by the way, I noticed there’s this massive barge that beached itself about 100 meters further south from the inukshuk position. I’ll probably go and do that sketch next time so do lookout for that.

inukshuk-vancouver

Field Sketch

I took my little field notebook with me and a 2H and a 2B pencil as well but I didn’t use it. 

Inukshuk East Face

I decided to sketch the inukshuk monument from the front which is facing west so the ocean is behind it. This is generally the virw most people see as they come down the promenade at the waterfront.

inukshuk-east-face

Inukshuk South Face

I then moved around so that I was looking at the south face of the monument but facing north. I decided to draw this side view as well which really doesn’t show you much at all.

You can’t tell by this drawing whether this is an inukshuk or not, but the rocks were super interesting. I knew I wanted to create a pen and ink and grayscale ink drawing, so this was the perfect subject.

inukshuk-south-face

Inukshuk West Face

I went around to the back of it facing inland. This is the west view that you would see if you were on a ship coming into the harbor. I drew the west face of this sculpture which you can see here. 

inukshuk-west-face

Inukshuk North Face

Finally, I moved round to the north facing side (looking south) of the sculpture and drew again the very vertical slimness of this sculpture.

inukshuk-north-face

Photographs

In all I did four full sketches trying to pay close attention to the stone, to the shading under the massive blocks to understanding how these rocks are formed. This time I made sure to take photographs of each of these sides of the sculpture so that I have them when I go home as reference photos.

In the past I’ve been reminiscent doing this and I’ve ended up getting home and not quite having all the images I needed. I also took quite a bit of B-roll video to show you exactly where the sea is. We are right on the coast and that the inukshuk is quite a huge tourist attraction as well.

Studio Sketch

The next day, back in my studio, I got out my sketchbook and lightly sketched out the main image that I wanted to do for this inukshuk. My plan is to draw it in pencil then then pen lines and then use black ink to wash for the grey scales on these stones.

Pencil Sketch

I took a bit of time laying out this drawing because although it’s basically just stones, it was important to get it right because the boulders balance on each other. I spent quite a bit of time doing that and I also put edges on some of the chamfered sides of these massive stones.

I added a little bit of the garden below the sculpture to give it some context and form within the page. I then decided to add the sea behind it, because it basically is a naturescape and that’s what I’m going for here.

inukshuk-pencil-sketch

Black Outlines

I took my 0.3mm black pen and went over the main outside lines of this drawing. I took my time here and tried to get it as accurate as I could as this will form the structure of this drawing.

When I was happy with the outlines, I took an eraser and removed all of the pencil lines. You must eliminate the pencil lines because once you put the ink wash on it can’t be removed.

inukshuk-black-outlines

Ink Wash

I use Winsor and Newton black Indian ink which is both permanent and waterproof. In my palette I’ve got the main black ink in the one well and then the well below has water.

I’m trying to mix it two parts water to one part ink, so one drop of ink to two drops of water to make a light grey. I go down thinning and thinning and filling the wells until I’ve got the very lightest grey at the bottom.

My plan here is to put the lightest ink on the page first and then work up to the darker inks. The reason you want to do the lighter inks first is because ink is unforgiving, and you cannot lighten afterwards but you can always darken. This is something I’ve learned so there’s a tip for you.

inukshuk-ink-wash

Mid Grey

I moved onto my next lightest grey and added some shades and shadows to the stonework. I continued on slowly and carefully building up the grey stone to the darkest shadows. I didn’t use plain black on these deep shadows. I diluted dark grey from the black ink.

inukshuk-mid-grey

Dark Grey

Between each of the different shades of grey I let the ink dry thoroughly. I made sure to have a very thin paintbrush because I did want to have good control over the ink on this drawing. In the past the ink has run away from me and I was trying to avoid that.

inukshuk-dark-grey

Gardens

To colour in the greenery in the gardens below this statue, I mixed some super light grey. I painted some of the bushes with this colour. For the shade under I added an absolute dash of black to give a darker colour to these bushes.

The Sea and Sky

For the sea I took even lighter grey and watered it down to give a light wash depicting the sea. I left the very pale sky as the white paper.

Black Pen

I went back over and added some extra black pen where I felt it was required it just to sharpen up the image. I signed it in the bottom right-hand corner with the pen. I was using watercolor paper, however, it still did buckle, so I will put it under some heavy books to flatten it out.

Vancouver Nature Map

I created my Vancouver Nature Map to show where I was when I made the sketches in my Perpetual Nature Journal. This time I was further down the coast from the Canada Geese from last time. In time, I hope It becomes a record of my nature journaling in my local area.

Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Send Alison a quick message.

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Painting My Flower Press Cover – Ink Art

Painting My Flower Press Cover – Ink Art

Author: Alison Hazel   –   Published: June 2022

Inspiration

In the first week of May I discovered the YouTube channel Daily Nature Journal and I was inspired to start a nature journal. Alex showed some pressed flowers that he was using in his nature journal and I was so interested, I decided to order a flower press for myself from Amazon. I plan to keep my flower press for years and eventually hand it down to my daughters as a family heirloom.

Unboxing Flower Press

I chose a flower press from Berstuk.co.uk. This flower press is made with plywood, not compressed chip board, and brass bolts not mild steel (which will eventually rust) brass does not rust. You can get the same flower press which I purchased on this LINK.

The flower press came in a box, with instructions and included all the bolts, wing nuts and washers you need. There is a front wooden panel with a flower outline painted on and a plain back panel. You also get cardboard and blotting paper cut to size with chamfered corners.

How to Use a Flower Press

This flower press comes with cardboard and blotting paper. You make a sandwich of cardboard, blotting paper, flowers, blotting paper, cardboard and repeat. You can have multiple sandwiches in the press. I hope to start pressing flowers soon.

Ink Colors

The colored inks I’m using are from Windsor and Newton. I recently got these inks and I’m enjoying learning to work with them.

Green

The apple green is quite bright and needs to be toned down with a little yellow.

Yellow

I chose canary yellow and this is used to mellow the green for the leaves. I also used the yellow for the centre of the flowers.

Red

The red is called deep red. I thin the red down to make it more pink.

Gold

I so often use gold in my artworks that it seemed quite natural to do so here as well. Although I had not thought of doing so until the end.

Process

First, I wiped the front panel with a damp kitchen towel to remove and dust or sawdust. Starting with the green I thinned it with water three to one and added a little yellow. This makes an olive green. I painted this on one side of a few leaves.

Next, I mixed more green and yellow and the second mix is slightly different to the first mix. I continue to paint the leaves with a few green and yellow mixes. I painted the center of the flower with yellow.

For the petals I took intense red and watered it down a little differently for each petal to give the flower some depth. Finally, I added a dash of gold ink here and there for highlights.

Heirloom

I let it dry overnight. I may varnish it later. I plan to keep it in the family like a family heirloom and pass it along to my daughters for their pleasure.

Aspiring Artist Activity

When you get your flower press paint the cover as follows:

  • Mix green and yellow ink for the leaves.
  • Mix yellow for the inside of the bloom.
  • Mix a tihn pink for the flower petals.
  • Add a touch of gold to bring your flower press to life.

Share

Share your completed flower press cover with the hashtag #AHAflowerpress so we can all see what you have created.

 

Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Send Alison a quick message.

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Perpetual Nature Journal 🌱 Setup and Cover Page

Perpetual Nature Journal 🌱 Setup and Cover Page

Inspiration

The idea of having a Perpetual Nature Journal which is different to a normal nature journal is that rather than starting at the front and working towards the back, depending on where I went and what I saw, I will be focusing on one or two nature features each month.

Then I can revisit the month next year at the same time.

You can start a Perpetual Nature Journal at any time of the year.

I’m starting mine in May 2022 and therefore my first entries will be in the May spread.

I won’t be filling the whole page I’ll just add one or two items in this month’s spread and then move on to June, July and August.

Later, when May comes around next year, I can come back to the May spreads and add something else.

Monthly Divisions

I decided to create a Perpetual nature journal which is one that goes on and on year after year.

I happened to have this sketchbook on my shelf which I had not used.

It is Fabriano with forty-eight pages which gives us twenty-four spreads well actually twenty-three whole spreads and two half spreads, with one half spread at the front, and one at the end.

I decided to give each month of the year, from January to November two spreads and December has one and a half spreads.

A spread is an open two pages.

I counted through and put little tabs out where each new month begins.

Philosophy

I chose to work this way for two reasons.

The first is because I watched the artist Minnie Small where she says in her sketchbooks she doesn’t start at the beginning and work to the end, instead she opens the journal at a random page and does a sketch in it there and then.

In this way when you do flip through the actual sketchbook there’s not this concentrated development of your style.

Instead, each drawing is randomly nestled in amongst everything else you’ve ever done.

In this way it’s a more a cohesive look at the type of work you’re creating as an artist.

Secondly, I took inspiration from Alex Boon of The Daily Nature Journal who has a beautiful nature journal, sourcing content from his local area, which I wanted to try for myself.

After I divided the journal the way I wanted it, with spreads for each month, I then turned my attention to the inside cover page.

Cover Page Design

I spent many days working out:

  • Whether I wanted to try nature journaling in the first place, and if so, how was I going to set up a journal?
  • Did I need to get another journal or not?
  • I didn’t want to buy anymore art supplies, so I dug around and found a Fabriano sketchbook which had not been used.

Naming the Journal

I thought that I wanted to call it “Nature Journal” (with the vanishing point on the word nature.)

To start with I did a sketch on my iPad with Procreate to lay out what I was thinking of as many ideas were percolating in my head.

I created this quick design just using a pencil brush in Procreate.

This is what I’m going to use as the guide for my Perpetual nature journal inside cover page.

Pencil Sketch

In my nature journal I drew some guidelines and wrote out the words “Nature” and “Journal” first lightly with a 2H pencil.

Then I went over with an ink pen which I think is the Faber Castell Artist Pitt pen 0.5mm, but you can use what you have at hand.

Pencil Crayon

I use Faber Castell Polychromas colored pencils.

I chose to color the two greens, because it’s nature.

The word “Nature” is a green called Olive Green Yellowish, and the word “Journal” is Juniper Green.

I did think afterwards I could have used markers, which would have made it a more vibrant cover page, and I may develop it into richer colors later.

Border

Then I turned to the border and decided to draw a 10mm, or half an inch, border around the page.

I just did this freehand and then I colored that in as well in the darker green.

It’s at this point I realized I hadn’t got the word “Perpetual” in, so I drew a couple of light guidelines and wrote the word “Perpetual” at the top.

Now it reads “Perpetual Nature Journal.”

On a side note, I lined up the word “Perpetual” to start in line with the left of the word “Nature” and its top to the “e” at the end of “Nature.”

In this way I believe it’s balanced within the page and aesthetically appealing.

I then went over the word “Perpetual” with a pen as well and finally erased all the pencil lines.

Completed

This is where my cover page is now.

I do envisage adding bits and pieces as I draw more stuff during the month.

I will add more to the front page, but at this point I just wanted to get it sorted out, so I could begin to use my Perpetual Nature Journal.

Reflection

I’ve never had a nature journal before and I think it’s going to be interesting book to work on.

It’s another sketchbook in my growing shelf of sketchbooks, as I’ve come to realize that one sketchbook is not the answer, because you do benefit from having multiple sketchbooks, and I’ll be doing a video about that soon.

I love the idea of the Perpetual-ness of this type of sketch book.

Let me know, in the comments below, if you have a Perpetual Nature Journal and how you lay it out or even whether you keep a Perpetual Journal or a Nature Journal or a Perpetual Anything journal.

I’d love to hear.

Love,

Alison

Aspiring Artist Activity – Create Your Perpetual Nature Journal 🌱

Create your own Perpetual Nature Journal which in time, will become a treasured family keepsake that you can share with your children and grandchildren.

  • Find a blank sketchbook with at least 12 spreads (one for each month of the year.)
  • Label each month lightly in pencil or with a Post-it note.
  • Create some inner cover art with the words, “Perpetual Nature Journal.”
  • Find the current month and draw something found from nature in your garden or local area. This could be flowers, leaves, berries, birds or insects.
  • Continue each month to add a small sketch or painting to your Perpetual Nature Journal.
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How to Draw a Fibonacci Shell – Sketchbook Art

How to Draw a Fibonacci Shell – Sketchbook Art

Drawing The Fibonacci Shell

Fibonacci Sequence

I’ve always been interested in symbols and patterns and particularly the patterns found in nature. The work we are about to draw is one of those natural patterns that pops up all over the place.

The Fibonacci sequence is 1, 1, 2, 3, 5, 8, 13, 21… and continues. The numeric pattern is created when the previous two numbers are added together to make the third number. So, 1 + 1 = 2, 1 + 2 = 3, 2 + 3 = 5 and so on.

The Plant Kingdom

The Presence of Fibonacci Numbers in Nature

The Fibonacci sequence, a captivating mathematical pattern, manifests itself prominently in the natural world. One notable illustration of this sequence is observed in the intricate designs found in sunflower heads.

 

Sunflower Heads

Upon closer observation, the arrangement of seeds on the head of a sunflower reveals a remarkable adherence to the Fibonacci sequence. The seeds are organized in mesmerizing whorls that spiral out in a manner consistent with this numerical pattern.

 

Spiral Symmetry

The Fibonacci sequence is renowned for its characteristic spiral symmetry, and this phenomenon is vividly demonstrated in the sunflower’s seed distribution. The whorls expand outward in a mesmerizing spiral, following the numerical sequence with precision.

Mathematical Harmony in Nature

This natural manifestation of the Fibonacci sequence in sunflowers underscores the profound connection between mathematics and the organic world. The inherent order and harmony found in these patterns contribute to the aesthetic beauty and structural integrity of sunflower heads, showcasing the intricate design embedded in the fabric of nature.

 

Functional Significance

Beyond its aesthetic appeal, the Fibonacci sequence in sunflower heads is believed to have functional significance. The arrangement optimizes the packing of seeds, ensuring efficient distribution and maximizing the sunflower’s reproductive potential. This mathematical precision serves as a testament to the evolutionary adaptations that enhance the plant’s survival and reproduction.

The prevalence of Fibonacci patterns in sunflowers extends beyond individual plants to impact broader ecosystem dynamics. As sunflowers play a vital role in various ecosystems, their adherence to mathematical principles influences the ecological interactions and relationships within their habitats.

The presence of the Fibonacci sequence in sunflowers also carries symbolic significance. It serves as a visual representation of order, balance, and mathematical elegance in the natural world, reinforcing the idea that mathematical principles underlie the beauty and functionality of diverse life forms.

 

Pineapple

Another example of the Fibonacci sequence in plants is found on a pineapple where knobby things cycle up one way with eight spirals and the other way with thirteen spirals called interlocking helices.

These are just examples of how the Fibonacci numbers come through in the plant world. In essence, the observation of Fibonacci numbers in sunflower heads and pineapples offers a captivating glimpse into the symbiotic relationship between mathematics and nature. It invites us to appreciate the precision and sophistication embedded in the seemingly simple aspects of the natural world, revealing the underlying harmony that governs the intricacies of life.

 

The Animal Kingdom

Nautilus Shell

A captivating illustration of the widespread occurrence of the Fibonacci sequence in the animal kingdom unfolds in the elegant spirals of the Nautilus shell. This seafaring creature, characterized by its distinctive shell, provides a striking example of mathematical precision as it meticulously follows the Fibonacci pattern in its growth and chamber arrangement.

The Nautilus, with its spiral shell, serves as a living testament to the intrinsic connection between mathematics and the natural world. Each chamber in the Nautilus shell expands in a precise sequence dictated by the Fibonacci numbers, resulting in a visually mesmerizing pattern that reflects the inherent order woven into the fabric of nature.

 

Personal Connection and Collection

I possess a small yet meaningful shell collection, prominently featuring a Nautilus shell. Acquired during a vacation in Mozambique, this particular specimen holds a special place in my collection.

The intricate chambers and the adherence to the Fibonacci sequence in its structure serve as a tangible reminder of the mathematical elegance present in even the smallest fragments of the natural realm.

 

Nautilus Shell

Artistic Inspiration

This Nautilus shell, residing in my collection, has become the muse for a captivating sketchbook piece that we embark upon together today. The delicate curves, precise spirals, and the harmonious proportions dictated by the Fibonacci sequence provide rich inspiration for an artistic exploration that bridges the realms of science and creativity.

 

Drawing the Nautilus Shell

Through this artistic endeavor, we delve into the symbiotic relationship between art and nature, allowing the Fibonacci-inspired sketch to capture the essence of the Nautilus shell’s beauty. This creative process not only celebrates the wonders of the natural world but also serves as a means to express the harmony and balance inherent in the mathematical principles echoed by the Nautilus.

The Nautilus shell’s adherence to the Fibonacci sequence extends beyond aesthetic beauty; it holds scientific significance. The mathematical precision observed in its growth pattern serves functional purposes, aiding in buoyancy control and optimal navigation through ocean depths.

Starting on this artistic journey inspired by the Nautilus shell invites us to explore the connections between mathematics, nature, and creative expression.

It is a celebration of the intricate beauty found in the animal kingdom and a testament to the awe-inspiring wonders that unfold when science and art intersect.

 

Supplies

I’m listing the art supplies I used to create this drawing, but I always urge you to use anything that you have at hand. You do not have to go out and get these supplies. You will probably have plenty of pens and papers in your home with which you can draw this sketch.

 

 

You Have What You Need

Don’t feel that you have to have all of this equipment and if you don’t you can’t do it. Use the supplies that you have to hand. You are an artist that’s why you are here. Get your stuff out and let’s get started.

 

Drawing the Grid

We are taking the two numbers five and eight from the Fibonacci sequence. We are going to draw a rectangle with that is eight blocks wide by five blocks deep. It will depend on the size of your paper, but in my sketchbook, I drew a rectangle that was actually 2 x 8 which is 16 centimeters wide and 2 x 5 which is 10 centimeters deep.

If you are using inches, it might be easier to draw your box 8 inches by 5 inches or any combination of those numbers. When you have your rectangle centred on your page it’s time to draw the grid. Divide your rectangle into eight columns wide and five rows deep.

Drawing the Blocks

Look at my diagram to see how to further divide up your blocks. On the left-hand side draw a thicker line after five columns. Now looking on the right-hand part, which is now 3 columns wide, draw a thicker line 3 rows down.

From the bottom right corner draw a thicker line two rows over and two rows up. Finally divide the last two into one cube each. Keep looking at the block diagram to make sure that you are dividing your rectangle into the squares correctly.

 

Drawing the Curves

When drawing the lines with your compass make sure to press lightly. You just want the line to be a guide we are not engraving on the page. The pencil I have in my compass is a 2H pencil. Make sure the tip of the compass point and the tip of the pencil are at the same place (when the compass is closed) before you start.

 

Steps

  • With your pencil compass place the point at the origin position shown by the red dot and draw two quarter circles over the one cube blocks.
  • Move your compass point to the origin position marked with the dot and draw a curve two blocks wide as shown.
  • Move your compass point to the third origin position shown and draw a curved line over three blocks.
  • Move your compass point into the final five block origin position and draw an arc five blocks wide as shown.

Number 1 Block

See below.

Number 2 Block

See below.

Number 3 Block

See below.

Number 5 Block

See below.

Dividing Into Segments

Now we are going to divide each of the number blocks one, two, three and five into segments (like an orange) to indicate the growth of the shell.

 

Number One Blocks

The number one blocks do not get divided as they are just one.

Number Two Blocks

The number two block division is from the origin point (where we put the compass in) draw a line at 45 degrees dividing the number two block into two segments.

Number Three Blocks

Considering the three blocks, place your protractor crosshairs at the origin point (where you put your compass point in) for the number three blocks, remember to reference the drawing.

We’re going to divide the number three block into three, so that will be 90-degrees divided by three will result in 30-degrees per segment. Make a light mark at 30-degrees from the horizontal and 60-degrees from the horizontal on your page. With a ruler, join the origin point for the number three blocks with the 30-degree and 60-degree mark lightly in pencil. Do not extend the line past the curve.

Number 5 Blocks

We are going to divide the number five blocks into five segments. Place your protractor cross hairs at the origin point for the number five block. To divide 90-degrees by five each segment will be 18-degrees wide. Counting up from the horizontal, make a light mark at 18-degrees and then one at 36-degrees (2 x 18 = 36). 

Next, counting left from the vertical, make a light mark at 18-degrees and one at 36-degrees. Take your ruler and lightly draw a line from the origin point to the marks you have just made. You will draw four lines here thus dividing the five block into five segments. Do not draw these lines past the curve of the shell.

 

Erase Marks

Lightly erase any pencil marks that are now unneeded and unnecessary before you start to color. I also used a kneadable eraser and lifted quite a bit of the graphite from the page just leaving faint lines there as a guide.

Coloring the Shell

I chose to colour my Fibonacci shell in tones of yellow and the background in tones of blue. Yellow and blue is always a great color combination to use in artwork and you can see this to great effect in Van Gogh’s “Starry, Starry Night” painting.

Take your time as this is the fun part. Color in the background with different colors of blue. Relax and color in each little segment withing each block carefully. There will be many triangles and slivers of block now. Finally, I went over with a heavy black pen and redrew the curve of the Fibonacci shell and the artwork outline.

 

Completed

Voila, and there is your completed sketch. It is a fascinating shape as the Fibonacci shell continues to spiral outwards from the centre point. This shape resonates with us as it is part of the natural world.

 

What Not to Do

When I first started drawing the Fibonacci shell, I couldn’t get it quite right because it’s quite a tricky pattern. I tried several times, over a few days, to divide the shell because I wanted to you to see the striations and stripes on the shell which is how the actual Nautilus shell looks.

Now I’m going to show you my first few original efforts, so if for some reason you do make a botch, you will be happy knowing that it happens to everyone. 

These first two drawings are examples of what not to do when trying to draw the Fibonacci shell. The third one is correct.

 

fibonacci-shell

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Below is the correct one.

Aspiring Artist Activity

In your sketchbook, please draw the Fibonacci shell by doing the following:

Aspiring Artist Activity

In your sketchbook, please draw the Fibonacci shell by doing the following:

 

  • Measure the blocks carefully.
  • Draw the curves carefully.
  • Divide the segments carefully.
  • Colour in and embellish your artwork as you see fit.

 

Share

Share your artworks on social with the hashtag #AHAFibonacci.

 

Alison Hazel

Author Bio

Alison Hazel is a woman who shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

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