Third Age Art for Women

Third Age Art for Women

Author: Alison Hazel   –   Published: December 2024

The Third Age

The Third Age is a term used frequently to refer to people over the age of sixty. There are many differing criteria for the start of the Third Age and you can read more on that here.

The Four Ages of Women

I am going to share with you how I see the ages of women. This can be debated back and forth, but I want to be clear what I am saying and defining as the “Third Age.”

  • First age – from birth to age 30
  • Second age – from age 30 to age 60.
  • Third age – from age 60 to 90
  • Fourth age – over 90

The Three Ages of Women

The idea of the three ages of women goes back many years.

Maiden

The first age is the maiden. A maiden is a woman who is not married. Obviously, the criteria are different nowadays but to be a maiden is to be in an intact state. The age covers young girls and young women up to the age of 30.

Mother

The mother age is from age 30 to 60. This is when women spend their time bringing up children, cooking and cleaning and taking care of their families. They are in the the main childbearing years.

Crone

A crone is defined as:

  • A woman past 60 (note this includes the fourth age)
  • A woman who has passed through the menopause
  • A woman who is longer viable to fall pregnant

A crone is not a nice term to be used for women. In the past crones were also considered as witches. Usually, women in this age group have brought up their families. They may be divorced, or they may be widowed as their husbands and partners pass on. There are more older women in the Third Age group than men.

Third Age women can be babysitters from the own children’s children. They are often grandparents and have time on their hands. They usually give up work and need something to do. Having been the glue of a family unit and no longer needed may bring on empty nest syndrome. The kids no longer need or require these women in their lives on a day-to-day basis. Of course, every situation is different.

Celebrate the Third Age

For Third Age women who have time and who may have disposable income, there is an opportunity to turn to creative expression in some form.

Art

We will talk about art in the Third Age. This is how I came to art and you can read more about my story here. I felt truly alive once I began writing and drawing and sharing my creative expression with you.

I want to encourage you to find your inner creative expression and bring it out for yourself and for the world. The practice of art and journaling and painting is a form of self-care.

Saturn’s Cosmic influence

We are happy to see the Moon rules the tides but the planet Saturn rules time. Saturn takes thirty years to orbit the Sun he is known as the timekeeper of the zodiac. 

Every thirty years, or thereabouts, Saturn returns to the place it was on your birthday and recalibrates what you should be doing with your life.

This links into the Three Ages of women, age 30, age 60 and age 90. Maiden, Mother and Crone. These are the three ages of woman.

How this cycle affects men is debatable.

Third Age Art

The Third Age is a delightful way to refer to the years past sixty. If you find yourself with time on your hands, it is a perfect moment to learn something new. Or you can go back to a former interest. If you are not sure with what to fill you days, consider taking up a creative interest.

Some artistic creative expression ideas are:

  • Drawing
  • Urban sketching
  • Painting
  • Pen and ink
  • Writing or journaling
  • Art journaling
  • Sketch journaling
  • Sculpture
  • Pottery
  • Mosaic
  • Dyeing and weaving

 

How to Decide What to Do

If You Don’t Know

If you don’t know what you want as your creative endeavor then think back to what interested you as child.

Was it:

  • Music
  • Singing
  • Art
  • Drama
  • Ballet
  • Dancing
  • Pottery
  • Other

Give yourself some time to ponder what it is you’d like to start doing.

If You Do Know

You may already know exactly into what you want to pour your creative energy. It could be crystal clear that you want to do pottery or watercolors.

Journaling

I am a huge fan of journaling. I started off with one journal and now my collection has multiplied into about five.

If you are not sure where to go, or you are just starting out on your journey, I recommend you get yourself a journal. Personally, I like the Leuchtturm 1719 as it is a superior quality journal and comes in multiple cover colours.

Use a journal to capture your ideas and thoughts about how you want to let your creative expression come through.

What are You Waiting For?

If you are a woman in the Third Age you may still be working full time, you may be working part time and have some time on your hands, or it may be that you have all your days stretching out ahead of you and you’re not quite sure what to do.

Whichever scenario reflects your life, there will be time within your day for creative expression and the benefits of doing something artistic far outweigh not doing so.

Pin this image to your Pinterest board.

Aspiring Artist Activity

Get out your creative endeavors journal and a pencil or pen. Note, I will suggest some art activities here, because that’s what this site is about, but if music or dance is your jam, you can use the principles of this journal activity for that as well.

Inside Front Cover

  • On the inside front cover, write your name add a picture and embellish it as you like.
  • For example, I wrote my name, added a sunflower drawing and some washi tape.

 

Second Page

  • On the second page, draw a five-pointed star.
  • In each of the points, write one or two words that support the creative artwork you want to do.
  • Some examples would be pen and ink, colorwork, collage, nature journaling or urban sketching etc.
  • These keywords may change at any time, but they are going to be the starting points for the creative expression that you are trying to achieve.
  • In this way, rather than just having one focus word you will have five.

 

 Next Five Pages

  • On the next five pages, write one of your focus keywords at the top as a heading.
  • Give some thought about the activities you want to do that are in line with these keywords.
  • Note these activities below on the page.
  • You may wish to use pencil to start with then move onto pen when your keywords gel.

This activity is not about getting some art done, it is to help you sort out your thoughts surrounding what you really want to do, rather than what you think you ought to be doing.

If your sister makes jewelry at her kitchen table and sells it at a craft market, you might feel inclined to do the same thing because it would be easier just to follow in her footsteps.

It is important at this stage that you ponder on the specific art and creative practices that you want to do.

Please do not feel pressured by family and friends instead always listen to your heart.

Alison Hazel

Author Bio: Alison Hazel

Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

Read more about Alison’s story.

Send Alison a quick message.

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Christian Art and Sacred Places

Christian Art and Sacred Places

Author: Alison Hazel   –   Published: December 2021 

Introduction

The Christian Art we practice here at Alison Hazel Art is traditional and straightforward. We want our Christian Art to be peaceful, meditative and reflective. To draw Christian images and symbols adds a richness to life which we enjoy, and we want to share that with you.

We are not here to influence you, or to convert you, but rather to celebrate our beliefs with you. If that resonates with you, then you may enjoy some of our future plans for creating and developing some Christian art.

three-angels

People

We aspire to have more drawings and images of religious people such as:

  

Stories

We will be drawing and illustrating chapters from the bible and particularly from the book of Genesis with stories like:

  

  • Adam and Eve
  • Cain and Abel
  • Noah’s Ark
  • The Nativity and Christmas
  • The Passion and Easter
Jesus-mary-and-joseph

Sacred Places Art

We also have an interest in sacred places. Sacred places generally means churches, cathedrals and related buildings, but it also encompasses other places such as:

  

  • Labyrinths
  • Pyramids
  • Standing stones (like Stonehenge and Inukshuks)
  • Glades of trees

    Our Sacred Places Art So Far

    So far, we have drawn:

      

    saint-chads-church-poulton-le-fylde

    Future Artworks

    We have plans to sketch:

    • Church footprints
    • Church architectural drawings and facades
    • Stained glass windows
    • Rose windows
    • Altars
    • Fonts
    • Steeples and towers

    Christian Symbolism

    We plan to explore Christian symbolism. This can be as:

      

    • Crosses
    • Bibles
    • Icons
    • Candles
    • Mosaics
    • Sculptures
    • Other ancient artworks

    There is a place for all art. We believe that if you follow Jesus then if you draw and create your own Christian themed art it will benefit you.

    Sharing and Merchandise

    Some of our Christian art is already available on Christmas cards and you can see more designs in our Redbubble shop.

    Alison Hazel

    Author Bio: Alison Hazel

    Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

    Read more about Alison’s story.

    Send Alison a quick message.

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    Crystal Ink Swatches

    Crystal Ink Swatches

    Ink Swatches

    This time I’m creating color ink swatches for the seven colours of the rainbow.

    I’ve always felt that paint, ink or colored pencil swatching could be created in a way to make an art piece.

    I like working with color and art but dislike not having anything to show for it at the end.

    I believe that all my art practice should be beautiful and so I decided to take my swatching up a notch.

    Instead of just doing the swatch on a square grid, I’m going to create some artworks as I do this swatch.

    These will be in the shape of crystals.

    I’ll be using my new favorite Windsor and Newton drawing inks.

     

     

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    Seven

    Seven is a popular number found in everyday life. There are seven days of the week and seven colors of the rainbow, seven chakras and now seven crystal forms.

    I’ll be using the seven colors of the rainbow for my ink swatches.

    I selected one of the seven forms with a crystal in that form which matches the colour. I will be using artistic license for these images.

    Clearly, I’m not using all the colors available in the Windsor and Newton drawing inks range.

    Rainbow

    It’s always handy to work in groups of seven as there are seven colours in the rainbow. These colours are broken out from white light which is the true energy.

    The seven colours of the rainbow in order are red, orange, yellow, green, blue, indigo and violet.

    In a rainbow usually the red is always on the outer circle and violet is always on the inner cycle.

    Beyond both ends of the rainbow is where we find infrared, before the red, and ultraviolet, after the violet.

    We cannot see these color with our eyes, although scientists can measure them.

    Art Supplies

    For swatches or ink swatches you can use what you have.

    There really is no need to get the exact supplies that I’m using. I believe as an artist you probably have what you need right in your own home.

    The specific art supplies which I used are listed here:

    Art supplies

    Crystal Forms

    In nature, a crystal habit is how it forms.

    A crystal’s form is determined by the number of axes and faces on the crystal.

    The seven crystal forms are:

    • Isometric
    • Tetragonal
    • Triclinic
    • Hexagonal
    • Monoclinic
    • Orthorhombic
    • Trigonal

    Each of the crystal forms has many crystals associated within that form.

    I have selected one colour from each group that matches one of the seven colours of the rainbow for my drawing ink swatches.

    Isometric Crystal

    Definition

    Isometric crystals have all three axes the same and are at right angles to each other.

    Isometric Crystal Examples

    Examples of isometric crystals are the garnet an icositetrahedron and the spinel an octahedron.

    An example of a red crystal in the isometric crystal form is the garnet.

    Isometric Crystal Examples

    Examples of isometric crystals are the garnet an icositetrahedron and the spinel an octahedron.

    An example of a red crystal in the isometric crystal form is the garnet.

    Orthorhombic Crystal

    Definition

    Orthorhombic crystals have three axes of unequal length. Two are at right angles to one another and the third is perpendicular.

    Orthorhombic Crystal Examples

    Examples of the orthorhombic crystal structure are the peridot and topaz.

    I chose to draw an orange crystal from the orthombic form and this one is a topaz.

    Tetragonal Crystal

    Definition

    Tetragonal crystals have three axes which are at right angles to each other. The two on the same plane are equal in length while the third is perpendicular to this plane and of different length.

    Tetragonal Crystal Examples

    Examples of tetragonal crystals are the zircon and the scapolite.

    An a yellow crystal in the tetragonal form is scheelite.

    Hexagonal Crystal

    Definition

    The hexagonal crystal has three of the four axes all in one plane and intersect at 60°. The 4th axis is perpendicular and unequal in length to the other. There are six planes of symmetry.

    Hexagonal Crystal Examples

    Examples of hexagonal crystal are the apatite and the beryl.

    A much-loved hexagonal form crystal is the emerald which are green.

    Triclinic Crystal

    Definition

    The triclinic crystal has three axes of unequal length all inclined to one another at different angles.

    Triclinic Crystal Examples

    Amazonite (alkali feldspar) and rhodonite are examples of the triclinic crystal form.

    The example I’ve chosen for a blue crystal in the triclinic form is the turquoise blue.

    Monoclinic Crystal

    Definition

    The monoclinic crystal has three axes of unequal length. Two intersect at an oblique angle in one plane and the third is perpendicular.

    Monoclinic Crystal Examples

    Examples of monoclinic crystals are the epidote and orthoclase feldspar.

    In the monoclinic crystal form I have selected the crystal chrysocolla which is often an indigo color.

    Trigonal Crystal

    Definition

    The trigonal crystal is similar to the hexagonal system. There are three axes at 60° to each other in the same plane. The fourth axis is perpendicular. There are three planes of symmetry.

    Trigonal Crystal Examples

    Quartz and sapphire are examples of the trigonal crystal form.

    There are many crystals in the trigonal form and the one I have chosen is amethyst which is violet.

    Amethyst Cluster

    A popular way to draw an amethyst is in cluster form.

    These are highly popular crystals because they form points and sometimes points for both ends.

    They are often used in new age practices and crystal healing.

    An amethyst cluster will emanate good energy into a room.

    Crystal clusters are highly popular as gorgeous décor items which you can place on a coffee table.

    Amethyst Cathedrals

    The way amethyst crystals grow are sometimes as original bubbles trapped within an ancient lava flow.

    The minerals get trapped within the bubble and overtime crystallize.

    These bubbles can either be small as geodes, but when they became very big, they are known as cathedrals.

    An amethyst cathedral can be spectacular and a great addition to your home or office style.

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    Process

    Many of you ask about my process and how I created this artwork.

    Research for Ink Swatches

    I did some research to start with as I needed seven crystals in particular colors.

    I wanted the color sequence to go as on the rainbow which is from red to violet.

    I had to explore the crystal forms and find out which crystals were the correct color that I required to use for my rainbow.

    Crystal Forms

    I investigated each crystal form to find for instance a red crystal for the isometric and a green crystal for the hexagonal.

    Even though there are many different crystals within the same form they’re not all the same colors.

    I also spent quite a bit of time studying the crystal axes and faces and what that really meant.

    To be honest I still don’t fully understand this part, but I do have a couple of sketches to help determine which crystal is which.

    Pencil Sketch

    Seven Crystals

    Once I had decided which color crystal I was going to use for each form, I laid the crystal shapes out in the order of the colors that I had chosen because I wanted it to go from red to violet.

    Now technically this may not be the natural way that you would list crystals because I understand there is a particular pattern, but I moved it around because I wanted to use the different colors crystals.

    What the forms were didn’t really matter to me because I was going to be using my inks.

    With a 2H pencil I started with to lightly sketch out these crystals.

    Although technically when a crystal grows it can be perfect, very often in nature they are not.

    Crystals frequently contain flaws, imperfections, cracks and cloudiness within them.

    It all depends on which other minerals were around at the time it grew.

    When you draw your crystals, they don’t have to be exact and mine certainly are not.

    Black Pen

    With a 0.5mm black pen and I went over the main outlines of the shapes.

    I used a light touch because these lines are a guide on where to place the ink.

    crystal image

    Colored Ink

    Now comes the fun part where we start to use the colored drawing inks.

    Red Ink

    I started with the red end, so the ink color is called deep red.

    I took a clean paint brush and put some of the red ink into the well on my palette so I can see what I’m doing.

    With a clean paintbrush which had water on it, I gently laid some water over the shape of the crystal.

    Next, I picked up my red ink on my paintbrush, not diluted, and I started dabbing it into the water of the shape of the crystal on the page, so it will naturally disperse and move.

    In a way ink is very much like watercolor but it is lighter, and I do enjoy using it.

    Orange Ink

    For the second crystal, which is orange, I used the ink called orange which is great.

    With a clean paint brush, I picked up some orange ink straight out of the ink pot and put it into my palette well.

    Then I wet the shape of the crystal with some plain water and dabbed some orange straight onto the crystal.

    The idea that I was going for is that it would create a mottled effect, but we can still see the color of the ink.

    I’m making ink swatches is so even though there will be some dark areas of ink there will be a lot of light parts as well.

    Yellow Ink

    There are a couple of yellow inks in the Winsor and Newton drawing in collection.

    I chose the Canary yellow for this project.

    With a clean paintbrush, I picked up some yellow and put it in the well on my palette.

    I wet the crystal with plain water and added some dabs of yellow ink.

    Green Ink

    For the middle hexagonal crystal, which is going to be green, I chose the ink color called Apple green.

    Funnily enough there is an ink called Emerald green in this suite of inks, but I didn’t like the way it was. It was a little too blue for my liking, so that is why I went with the Apple green color.

    I wet the crystal and dabbed in some Apple green ink to the crystal.

    Blue Ink

    The next color in the rainbow is blue. In my stash I have two blue inks namely Cobalt blue and Blue.

    For this project I chose the cobalt blue for the blue crystal because I was going to use the other regular blue for the indigo.

    With the clean paintbrush I picked up some cobalt ink straight from the pot and put it into the well in my palette.

    Next, I wet the image of the crystal and added some cobalt ink into the shape.

    Indigo Ink

    For my indigo crystal I chose the ink that’s called Blue from the Windsor and Newton inks.

    I believe they may have a darker blue as well or a more indigo blue, but I don’t own it, so that’s why I chose the Blue.

    It also occurred to me that I could have gone in and used my regular fountain pen dark blue for this project, but that really wasn’t what I was going for.

    The idea is that I’m swatching out my Windsor and Newton drawing inks.

    Next I wet the crystal and then added some dabs of blue ink for the indigo crystal.

    Violet Ink

    For the seventh and final crystal which is going to be Violet, I chose the ink which is called Violet which is great.

    In my general ink collection, I do have a purple as well which is far darker, so this Violet was a great choice for the Violet crystal.

    This will be the amethyst crystal which I must say is one of my absolute favorite crystals.

    For this final crystal I wet the paper and with a clean paintbrush I picked up some of the amethyst ink out of the ink pot and I dropped it into the well in my palette.

    In this way I could see what I was doing I wet the image and then I gently dabbed some Violet ink into the final crystal.

    Gold ink

    Titles

    Below each crystal I wrote the shape name, the crystal form and the name of the ink color which I used for that crystal.

    Gold Ink

    Because I always seem to add some gold to all the images I do, I decided I would as well this time.

    After all, why not?

    I got out my gold ink and with a clean paint brush and straight form the ink pot I put some glimmer and shimmer onto each of the crystals.

    Conclusion

    I’m very happy with the final artwork.

    I truly believe that doing a color swatch doesn’t have to be boring.

    To add some more interest to a swatch makes sense to me.

    There are other ways to do this without even doing crystals.

    Perhaps you could do fruit where you would have a red fruit and an orange fruit and a yellow fruit and, in the end, you have created a delightful little artwork as well.

    I know that making swatches is a valuable part of an artist’s practice, but swatches don’t have to be humdrum.

    Thank you for sharing your day with me.

    Alison

    Aspiring Artist Activity

    For this activity (which you can do with your kids) get your art supplies to hand and your sketchbook and please do the following:

    • Choose your art medium. It could be pencil crayons watercolors or inks it’s up to you.
    • Select the seven colors red, orange, yellow, green, blue, indigo and violet.
    • Using our images as a guide, draw out seven crystal forms. If you find these drawings a bit tricky just work with the small cube first, alternatively you could do fruit.
    • Color in the crystals making sure to have some dark full color at the bottom that fades lighter towards the top.
    • Label each color with the correct color name from your art medium for example cadmium yellow so you know exactly which color you used.
    • Write a title on your swatch so you will know exactly which medium you used whether it was your Faber Castell polychromos crayons, your watercolor paints, or your Winsor and Newton drawing inks.

    Share Your Artwork

    You can share your artwork on social so everyone can see what you created.

    If you add the hashtag #AHAactivity I can find your work as well.

     

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    Alison Hazel

    Author Bio

    Alison Hazel is a mature woman who shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

    Go here to read more about Alison’s story.

    If you want to send Alison a quick message go here.

    More Articles

    Here are some more articles for you to have a look at about the different types of art and other cool stuff we do on this blog.

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    Creative Projects for Aspiring Artists

    Creative Projects for Aspiring Artists

    Author: Alison Hazel, Original post: January 2022, Latest update: January 2024.

    Creative Projects

    Allow me to share with you how I manage my creative projects as an aspiring artist. I believe that being an artist, or an aspiring artist, or even a reluctant artist is a natural way to be. Maybe you were brought up to view art as fluff and something that kids do.

    Or perhaps you were programmed by your early home environment to believe that to be an artist is not a real job. Personally, I was good at art at school and I had my first artwork exhibited at the tender age of nine in the local town library’s gallery.  At high school, as I scraped through maths, science and English literature I still excelled at art.

    Yet I did nothing with it…

    I could always draw and doodle.

    The Middle Years

    After school I found a job in an office, got married and had four hungry children, here I want to say, “…and a crop in the field…” My life was busy with family, family, family. Only when my youngest daughter left home in 2019, and my husband passed away, did I have time for myself.

    I turned to art and signed up for a one-day Art Retreat at the Luminous Elephant art studio in Vancouver. At this time I began sketching privately and then joined the Vancouver Urban Sketchers  group and went to a few meetings.

    Alison Hazel Art

    I created this website to showcase my sketches and named it Alison Hazel Art. To start with I hesitated to use the word “Art” in the title. I mean, don’t artists have degrees from prestigious universities and certificate and all that? Who was I as a mature housewife type of scribbler to call myself anything “Art” but, I reasoned that I was an aspiring artist and I am on an artistic journey. My path to become an artist is different to yours and the art I create is different to yours, but it is my journey and I’m walking this road.

    Improvement

    I hope to get better over time. In the past two years I’ve accumulated some markers, watercolour paint, pencil crayons, acrylic paints from my daughter’s school leftovers, ink and pens.

    Perpetual Nature Journal

    In May 2022 I happened upon the Daily Nature Journal channel on YouTube and my direction shifted. Starting a perpetual nature journal I began to relish journaling. Discovering International Nature Journaling week (which is every June 1st to 7th) was another sign, I mean, who knew?

    Recently

    I wonder what I will do next. I have some ideas about personal energy management as I do seem to get tired easily these days.

    Projects

    I like to have projects on the go and the main reason to have projects is that it is good to have something to get out of bed for every day.

    Journals

    I began with Morning Pages like Julia Cameron earlier this year and I decided my Morning Pages needed their own journal. I discovered that, as I had so many interests, I preferred to have a variety of journals. I’ve subsequently moved onto multiple journals.

    Now, I have a journal for:

    • General life with a yellow cover.
    • A family memoir with a taupe cover.
    • A grimoire with a dark ocean blue cover.
    • An art journal with a sage green cover.
    • A crochet journal with a Wedgewood blue cover and a crocheted cover.
    • A perpetual nature journal with a black cover.

    Sketchbooks

    After struggling along with one A5 sketchbook where everthing went in, I decided that to have more than one sketchbook is a better plan and this works well for me.

    Now I have sketchbooks for:

    • Field sketches size A6.
    • Field sketches size A5.
    • Watercolour size A5.
    • Grey toned paper size A5.
    • Beige toned paper size A5.
    • Black paper size A4.
    • Handmade paper which is 10cm square.

    I do prefer smaller sketchbooks like A6 and A5 rather than the bigger A3 and A2 sized ones. This may be because I like to finish each artwork in one day and I can do that better with a pocket sketchbook. In a way, my art supplies seem to be breeding all by themselves.

    Explore more >>> Art Supplies I Use

    Quarterly or Seasonal Projects

    A quarter of the year is three months or around just under 100 days. Quarters can be related to the seasons as well Spring, Summer, Autumn and Winter. When you divide the year into four segments it provides you with a good chunk of time to get something worthwhile done.

    Some ideas for quarterly projects which I’m toying with are:

    • Making a large painting.
    • Creating an online course that I can teach.
    • Planning and organizing a weekend art retreat.
    • Writing or designing a book.

     

    Monthly Projects

    Mid-size project are my monthly projects.

    In this section my creative projects maybe:

     

    Weekly Projects

    Small quick projects which can be easily completed in a day or two are my weekly projects.

    In this category my projects could be activities such as:

    • Recording a weekly video for YouTube.
    • Writing a weekly blog post for my website (like this).
    • Creating a simple drawing or painting.
    • Shopping for art supplies.
    • Swatching my paints, coloured pencils or inks.
    • Tiding up and organizing my creator studio.
    • Attending a weekend art retreat.
    • Going to an urban sketching meetup.
    • Planning an art date with my daughters.
    • Visiting an art gallery in my city.
    • Going to the beach to sketch.

    The idea is to have three different projects on the go at any one time and these are a large one, a midsized one and a small one. It is enjoyable to be able to chop and change between three different ongoing projects.

    Quarterly, monthly and weekly projects provide me with creative choices depending on my mood. I don’t always have the energy for intense creation for an extended period.

    If I’m honest, this is the reason I believe I, and you, will benefit from having a variety of projects on the go at once. Let me know what you think.

    Pin this image to your Pinterest board.

    Aspiring Artist Activity

    This activity is to help you sort out your thoughts and feeklings about the direction you want your art life to go.

    In your art journal and, thinking about what you would like to try on your art journey, please do the following:

    List

    • List three large substantial quarterly projects.
    • List three medium sized monthly projects.
    • List three shorter weekly projects.

    Start

    • Choose one from each time frame and start.

    In this way you will have three different projects to get your teeth into.

    Now you will have a variety of activities to keep you going and you can start to plan the next trio of projects as well.

    Alison Hazel

    Author Bio

    Alison Hazel is a woman who shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

    Read more about Alison’s story.

    Send Alison a quick message.

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    How to Set Up an Artist’s Vision Board 

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    Sketchbook – Orchid with Colored Pencils

    Sketchbook – Orchid with Colored Pencils

    Intro

    On Mother’s Day I was fortunate enough to receive this beautiful orchid from my daughters. It was totally unexpected as I’ve never owned an orchid before.

    I decided to do a sketchbook drawing of this orchid as it had such an interesting form.

    Border

    I drew a border around the page and with the 2H pencil sketched out the main lines of the orchid.

    This is called a waterfall orchid and it’s actually supported with a plastic structure to keep its delicate shape.

    I positioned the pot slightly to the left so I could have the full cascade of the waterfall petals of the orchid in the top part of the page.

    I then went over it with a Sakura Pigma Micron 0.3mm black pen and firmed up the lines.

    Next, I erased all the pencil marks and ran over the page with a kneadable eraser to lift up all the loose graphite.

    Colored Pencils

    Actually I chose a selection of colours of coloured pencils from my pencil stash.

    I’m using the Faber Castell polychromos crayons and the colours are middle purple, pink rose Carmine pink madder lake, dark Naples ochre, olive green yellowish and chromium green opaque.

    The main colours for this drawing are the pink of the flower with the yellow centre and the green of the leaves on the stem.

    I started with the lightest pink, pink madder lake and drew some light lines coming out from the centre of the large petals.

    I then took the next deeper pink and filled in the blobs that really look like a face. I do not know the names of these parts of the plant.

    Finally, I took the darkest pink to do the two sort of horn bits that are sticking out which is where I understand that the insects land when they’re collecting the pollen and nectar.

    I then turned my attention to the leaves and using the two shades of green I coloured them in trying to put the darker shade on the lower side of the leaves or the underside of any shaded areas.

    The Pot

    The pot is interesting with diamond shapes in it shown in the way it caught the light.

    I just wanted to give an idea of the shape and not give all the detail, so I used a beige pen here.

    I continued building up the petals working from the center outwards adding more depth of colour on some of the closeups you could see that the one bloom was facing the other way and therefore it was much darker behind then the petals that are shown at the front.

    I drew a horizontal line to stabilize the plant on some kind of surface and shaded in the table with pinks and I shaded the background in a light beige.

    Plant Meaning

    I have a fabulous book called The Secret Language of Flowers by Samantha Gray which I use when I’m looking at my flower meanings.

    It turns out that orchid has several meanings of which some are beauty, mature charm, love, refinement, thoughtfulness and many children.

    On the left hand page I drew a box and wrote the plant name and chose one of the meanings which was beauty as I felt it was the strongest meaning for this specimen.

    Signing the Artwork

    I put my art initials AHA for Alison Hazel Art in the bottom right-hand corner in the same pen I used for the black lines.

    Finally, I dated it with May 2022.

    Completed Artwork

    I’m really happy with how this sketch came out.

    I learned that there are quite a lot of intricacies within the flower itself.

    Also on the one bloom on the top left for some reason I only had four petals on it and at the last moment I added the fifth petal as I realized it was missing.

    I continued to add depth of colour from the pink on the underlying petals to make them recede so that the two main petals, which were lighter, could come forward.

    I’m really very happy the way this sketch came out and it’s a great addition to my sketchbook.

    Aspiring Artist Activity

    Take a flower that you have either in your house or some flowers you bring in from outside.
    • Sketch one or two blooms. You will probably need some greens and then perhaps two or three of the main colour in crayons.
    • Start with a pencil sketch make sure you have a border and make sure you have a horizon.
    • Colour in your plant until you’re happy with it.
    • This should be a fun project.
    • If possible, find out the meaning of the flowers which you have drawn and write a note on the left hand page.

    Sharing

    You can share your completed artworks with the #ahasketchbook so we can all see what you have drawn.

    Thank you so much for being with me today.

    Warmly,

    Alison

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    Inukshuk – Pen and Ink

    Inukshuk – Pen and Ink

    Author: Alison Hazel   –   Published: June 2022

    Inspiration

    As a part of working on my nature journal, last weekend I went down to the beach at the coast in Vancouver. I was there last week but this week I walked further round the promenade and came across the massive inukshuk.

    An inukshuk is a figure made of piled stones or boulders constructed to communicate with humans throughout Northern Canada and the Arctic and the arms point the way. The inuksuk may historically have been used for navigation, as a point of reference, a marker for travel routes, fishing places, camps, hunting grounds, places of veneration or to mark a food cache. The inukshuk in Vancouver was designed by Alvin Kanak.

    Although it’s not technically a nature sketch, it certainly is outdoorsy enough for me to want to add it to my nature journal. The grey granite rocks themselves were remarkable from which this sculpture was made.

    Process

    I packed my little travel sketch bag with a sketchbook two pencils and an eraser. I made sure I had my phone so I could take photographs. I also loaded my Starbucks card so I could get a coffee beforehand. I had my hat and sunglasses and off I went.

    I also took my transit pass which is critical for bus rides in Vancouver. I caught the bus down Davie Street to English Bay alighting at Denman Street. From there I walked back along the promenade.

    The inukshuk is slightly further down from where I was the previous week when I was drawing the Canada Geese and you can check out that video here. And by the way, I noticed there’s this massive barge that beached itself about 100 meters further south from the inukshuk position. I’ll probably go and do that sketch next time so do lookout for that.

    inukshuk-vancouver

    Field Sketch

    I took my little field notebook with me and a 2H and a 2B pencil as well but I didn’t use it. 

    Inukshuk East Face

    I decided to sketch the inukshuk monument from the front which is facing west so the ocean is behind it. This is generally the virw most people see as they come down the promenade at the waterfront.

    inukshuk-east-face

    Inukshuk South Face

    I then moved around so that I was looking at the south face of the monument but facing north. I decided to draw this side view as well which really doesn’t show you much at all.

    You can’t tell by this drawing whether this is an inukshuk or not, but the rocks were super interesting. I knew I wanted to create a pen and ink and grayscale ink drawing, so this was the perfect subject.

    inukshuk-south-face

    Inukshuk West Face

    I went around to the back of it facing inland. This is the west view that you would see if you were on a ship coming into the harbor. I drew the west face of this sculpture which you can see here. 

    inukshuk-west-face

    Inukshuk North Face

    Finally, I moved round to the north facing side (looking south) of the sculpture and drew again the very vertical slimness of this sculpture.

    inukshuk-north-face

    Photographs

    In all I did four full sketches trying to pay close attention to the stone, to the shading under the massive blocks to understanding how these rocks are formed. This time I made sure to take photographs of each of these sides of the sculpture so that I have them when I go home as reference photos.

    In the past I’ve been reminiscent doing this and I’ve ended up getting home and not quite having all the images I needed. I also took quite a bit of B-roll video to show you exactly where the sea is. We are right on the coast and that the inukshuk is quite a huge tourist attraction as well.

    Studio Sketch

    The next day, back in my studio, I got out my sketchbook and lightly sketched out the main image that I wanted to do for this inukshuk. My plan is to draw it in pencil then then pen lines and then use black ink to wash for the grey scales on these stones.

    Pencil Sketch

    I took a bit of time laying out this drawing because although it’s basically just stones, it was important to get it right because the boulders balance on each other. I spent quite a bit of time doing that and I also put edges on some of the chamfered sides of these massive stones.

    I added a little bit of the garden below the sculpture to give it some context and form within the page. I then decided to add the sea behind it, because it basically is a naturescape and that’s what I’m going for here.

    inukshuk-pencil-sketch

    Black Outlines

    I took my 0.3mm black pen and went over the main outside lines of this drawing. I took my time here and tried to get it as accurate as I could as this will form the structure of this drawing.

    When I was happy with the outlines, I took an eraser and removed all of the pencil lines. You must eliminate the pencil lines because once you put the ink wash on it can’t be removed.

    inukshuk-black-outlines

    Ink Wash

    I use Winsor and Newton black Indian ink which is both permanent and waterproof. In my palette I’ve got the main black ink in the one well and then the well below has water.

    I’m trying to mix it two parts water to one part ink, so one drop of ink to two drops of water to make a light grey. I go down thinning and thinning and filling the wells until I’ve got the very lightest grey at the bottom.

    My plan here is to put the lightest ink on the page first and then work up to the darker inks. The reason you want to do the lighter inks first is because ink is unforgiving, and you cannot lighten afterwards but you can always darken. This is something I’ve learned so there’s a tip for you.

    inukshuk-ink-wash

    Mid Grey

    I moved onto my next lightest grey and added some shades and shadows to the stonework. I continued on slowly and carefully building up the grey stone to the darkest shadows. I didn’t use plain black on these deep shadows. I diluted dark grey from the black ink.

    inukshuk-mid-grey

    Dark Grey

    Between each of the different shades of grey I let the ink dry thoroughly. I made sure to have a very thin paintbrush because I did want to have good control over the ink on this drawing. In the past the ink has run away from me and I was trying to avoid that.

    inukshuk-dark-grey

    Gardens

    To colour in the greenery in the gardens below this statue, I mixed some super light grey. I painted some of the bushes with this colour. For the shade under I added an absolute dash of black to give a darker colour to these bushes.

    The Sea and Sky

    For the sea I took even lighter grey and watered it down to give a light wash depicting the sea. I left the very pale sky as the white paper.

    Black Pen

    I went back over and added some extra black pen where I felt it was required it just to sharpen up the image. I signed it in the bottom right-hand corner with the pen. I was using watercolor paper, however, it still did buckle, so I will put it under some heavy books to flatten it out.

    Vancouver Nature Map

    I created my Vancouver Nature Map to show where I was when I made the sketches in my Perpetual Nature Journal. This time I was further down the coast from the Canada Geese from last time. In time, I hope It becomes a record of my nature journaling in my local area.

    Alison Hazel

    Author Bio: Alison Hazel

    Alison Hazel is a hobby artist and she shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

    Read more about Alison’s story.

    Send Alison a quick message.

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    Perpetual Nature Journal 🌱 Setup and Cover Page

    Perpetual Nature Journal 🌱 Setup and Cover Page

    Inspiration The idea of having a Perpetual Nature Journal which is different to a normal nature journal is that rather than starting at the front and working towards the back, depending on where I went and what I saw, I will be focusing on one or two nature features...

    Perpetual Nature Journal 🌱 Setup and Cover Page

    Perpetual Nature Journal 🌱 Setup and Cover Page

    Inspiration

    The idea of having a Perpetual Nature Journal which is different to a normal nature journal is that rather than starting at the front and working towards the back, depending on where I went and what I saw, I will be focusing on one or two nature features each month.

    Then I can revisit the month next year at the same time.

    You can start a Perpetual Nature Journal at any time of the year.

    I’m starting mine in May 2022 and therefore my first entries will be in the May spread.

    I won’t be filling the whole page I’ll just add one or two items in this month’s spread and then move on to June, July and August.

    Later, when May comes around next year, I can come back to the May spreads and add something else.

    Monthly Divisions

    I decided to create a Perpetual nature journal which is one that goes on and on year after year.

    I happened to have this sketchbook on my shelf which I had not used.

    It is Fabriano with forty-eight pages which gives us twenty-four spreads well actually twenty-three whole spreads and two half spreads, with one half spread at the front, and one at the end.

    I decided to give each month of the year, from January to November two spreads and December has one and a half spreads.

    A spread is an open two pages.

    I counted through and put little tabs out where each new month begins.

    Philosophy

    I chose to work this way for two reasons.

    The first is because I watched the artist Minnie Small where she says in her sketchbooks she doesn’t start at the beginning and work to the end, instead she opens the journal at a random page and does a sketch in it there and then.

    In this way when you do flip through the actual sketchbook there’s not this concentrated development of your style.

    Instead, each drawing is randomly nestled in amongst everything else you’ve ever done.

    In this way it’s a more a cohesive look at the type of work you’re creating as an artist.

    Secondly, I took inspiration from Alex Boon of The Daily Nature Journal who has a beautiful nature journal, sourcing content from his local area, which I wanted to try for myself.

    After I divided the journal the way I wanted it, with spreads for each month, I then turned my attention to the inside cover page.

    Cover Page Design

    I spent many days working out:

    • Whether I wanted to try nature journaling in the first place, and if so, how was I going to set up a journal?
    • Did I need to get another journal or not?
    • I didn’t want to buy anymore art supplies, so I dug around and found a Fabriano sketchbook which had not been used.

    Naming the Journal

    I thought that I wanted to call it “Nature Journal” (with the vanishing point on the word nature.)

    To start with I did a sketch on my iPad with Procreate to lay out what I was thinking of as many ideas were percolating in my head.

    I created this quick design just using a pencil brush in Procreate.

    This is what I’m going to use as the guide for my Perpetual nature journal inside cover page.

    Pencil Sketch

    In my nature journal I drew some guidelines and wrote out the words “Nature” and “Journal” first lightly with a 2H pencil.

    Then I went over with an ink pen which I think is the Faber Castell Artist Pitt pen 0.5mm, but you can use what you have at hand.

    Pencil Crayon

    I use Faber Castell Polychromas colored pencils.

    I chose to color the two greens, because it’s nature.

    The word “Nature” is a green called Olive Green Yellowish, and the word “Journal” is Juniper Green.

    I did think afterwards I could have used markers, which would have made it a more vibrant cover page, and I may develop it into richer colors later.

    Border

    Then I turned to the border and decided to draw a 10mm, or half an inch, border around the page.

    I just did this freehand and then I colored that in as well in the darker green.

    It’s at this point I realized I hadn’t got the word “Perpetual” in, so I drew a couple of light guidelines and wrote the word “Perpetual” at the top.

    Now it reads “Perpetual Nature Journal.”

    On a side note, I lined up the word “Perpetual” to start in line with the left of the word “Nature” and its top to the “e” at the end of “Nature.”

    In this way I believe it’s balanced within the page and aesthetically appealing.

    I then went over the word “Perpetual” with a pen as well and finally erased all the pencil lines.

    Completed

    This is where my cover page is now.

    I do envisage adding bits and pieces as I draw more stuff during the month.

    I will add more to the front page, but at this point I just wanted to get it sorted out, so I could begin to use my Perpetual Nature Journal.

    Reflection

    I’ve never had a nature journal before and I think it’s going to be interesting book to work on.

    It’s another sketchbook in my growing shelf of sketchbooks, as I’ve come to realize that one sketchbook is not the answer, because you do benefit from having multiple sketchbooks, and I’ll be doing a video about that soon.

    I love the idea of the Perpetual-ness of this type of sketch book.

    Let me know, in the comments below, if you have a Perpetual Nature Journal and how you lay it out or even whether you keep a Perpetual Journal or a Nature Journal or a Perpetual Anything journal.

    I’d love to hear.

    Love,

    Alison

    Aspiring Artist Activity – Create Your Perpetual Nature Journal 🌱

    Create your own Perpetual Nature Journal which in time, will become a treasured family keepsake that you can share with your children and grandchildren.

    • Find a blank sketchbook with at least 12 spreads (one for each month of the year.)
    • Label each month lightly in pencil or with a Post-it note.
    • Create some inner cover art with the words, “Perpetual Nature Journal.”
    • Find the current month and draw something found from nature in your garden or local area. This could be flowers, leaves, berries, birds or insects.
    • Continue each month to add a small sketch or painting to your Perpetual Nature Journal.
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    How to Draw a Fibonacci Shell – Sketchbook Art

    How to Draw a Fibonacci Shell – Sketchbook Art

    Drawing The Fibonacci Shell

    Fibonacci Sequence

    I’ve always been interested in symbols and patterns and particularly the patterns found in nature. The work we are about to draw is one of those natural patterns that pops up all over the place.

    The Fibonacci sequence is 1, 1, 2, 3, 5, 8, 13, 21… and continues. The numeric pattern is created when the previous two numbers are added together to make the third number. So, 1 + 1 = 2, 1 + 2 = 3, 2 + 3 = 5 and so on.

    The Plant Kingdom

    The Presence of Fibonacci Numbers in Nature

    The Fibonacci sequence, a captivating mathematical pattern, manifests itself prominently in the natural world. One notable illustration of this sequence is observed in the intricate designs found in sunflower heads.

     

    Sunflower Heads

    Upon closer observation, the arrangement of seeds on the head of a sunflower reveals a remarkable adherence to the Fibonacci sequence. The seeds are organized in mesmerizing whorls that spiral out in a manner consistent with this numerical pattern.

     

    Spiral Symmetry

    The Fibonacci sequence is renowned for its characteristic spiral symmetry, and this phenomenon is vividly demonstrated in the sunflower’s seed distribution. The whorls expand outward in a mesmerizing spiral, following the numerical sequence with precision.

    Mathematical Harmony in Nature

    This natural manifestation of the Fibonacci sequence in sunflowers underscores the profound connection between mathematics and the organic world. The inherent order and harmony found in these patterns contribute to the aesthetic beauty and structural integrity of sunflower heads, showcasing the intricate design embedded in the fabric of nature.

     

    Functional Significance

    Beyond its aesthetic appeal, the Fibonacci sequence in sunflower heads is believed to have functional significance. The arrangement optimizes the packing of seeds, ensuring efficient distribution and maximizing the sunflower’s reproductive potential. This mathematical precision serves as a testament to the evolutionary adaptations that enhance the plant’s survival and reproduction.

    The prevalence of Fibonacci patterns in sunflowers extends beyond individual plants to impact broader ecosystem dynamics. As sunflowers play a vital role in various ecosystems, their adherence to mathematical principles influences the ecological interactions and relationships within their habitats.

    The presence of the Fibonacci sequence in sunflowers also carries symbolic significance. It serves as a visual representation of order, balance, and mathematical elegance in the natural world, reinforcing the idea that mathematical principles underlie the beauty and functionality of diverse life forms.

     

    Pineapple

    Another example of the Fibonacci sequence in plants is found on a pineapple where knobby things cycle up one way with eight spirals and the other way with thirteen spirals called interlocking helices.

    These are just examples of how the Fibonacci numbers come through in the plant world. In essence, the observation of Fibonacci numbers in sunflower heads and pineapples offers a captivating glimpse into the symbiotic relationship between mathematics and nature. It invites us to appreciate the precision and sophistication embedded in the seemingly simple aspects of the natural world, revealing the underlying harmony that governs the intricacies of life.

     

    The Animal Kingdom

    Nautilus Shell

    A captivating illustration of the widespread occurrence of the Fibonacci sequence in the animal kingdom unfolds in the elegant spirals of the Nautilus shell. This seafaring creature, characterized by its distinctive shell, provides a striking example of mathematical precision as it meticulously follows the Fibonacci pattern in its growth and chamber arrangement.

    The Nautilus, with its spiral shell, serves as a living testament to the intrinsic connection between mathematics and the natural world. Each chamber in the Nautilus shell expands in a precise sequence dictated by the Fibonacci numbers, resulting in a visually mesmerizing pattern that reflects the inherent order woven into the fabric of nature.

     

    Personal Connection and Collection

    I possess a small yet meaningful shell collection, prominently featuring a Nautilus shell. Acquired during a vacation in Mozambique, this particular specimen holds a special place in my collection.

    The intricate chambers and the adherence to the Fibonacci sequence in its structure serve as a tangible reminder of the mathematical elegance present in even the smallest fragments of the natural realm.

     

    Nautilus Shell

    Artistic Inspiration

    This Nautilus shell, residing in my collection, has become the muse for a captivating sketchbook piece that we embark upon together today. The delicate curves, precise spirals, and the harmonious proportions dictated by the Fibonacci sequence provide rich inspiration for an artistic exploration that bridges the realms of science and creativity.

     

    Drawing the Nautilus Shell

    Through this artistic endeavor, we delve into the symbiotic relationship between art and nature, allowing the Fibonacci-inspired sketch to capture the essence of the Nautilus shell’s beauty. This creative process not only celebrates the wonders of the natural world but also serves as a means to express the harmony and balance inherent in the mathematical principles echoed by the Nautilus.

    The Nautilus shell’s adherence to the Fibonacci sequence extends beyond aesthetic beauty; it holds scientific significance. The mathematical precision observed in its growth pattern serves functional purposes, aiding in buoyancy control and optimal navigation through ocean depths.

    Starting on this artistic journey inspired by the Nautilus shell invites us to explore the connections between mathematics, nature, and creative expression.

    It is a celebration of the intricate beauty found in the animal kingdom and a testament to the awe-inspiring wonders that unfold when science and art intersect.

     

    Supplies

    I’m listing the art supplies I used to create this drawing, but I always urge you to use anything that you have at hand. You do not have to go out and get these supplies. You will probably have plenty of pens and papers in your home with which you can draw this sketch.

     

     

    You Have What You Need

    Don’t feel that you have to have all of this equipment and if you don’t you can’t do it. Use the supplies that you have to hand. You are an artist that’s why you are here. Get your stuff out and let’s get started.

     

    Drawing the Grid

    We are taking the two numbers five and eight from the Fibonacci sequence. We are going to draw a rectangle with that is eight blocks wide by five blocks deep. It will depend on the size of your paper, but in my sketchbook, I drew a rectangle that was actually 2 x 8 which is 16 centimeters wide and 2 x 5 which is 10 centimeters deep.

    If you are using inches, it might be easier to draw your box 8 inches by 5 inches or any combination of those numbers. When you have your rectangle centred on your page it’s time to draw the grid. Divide your rectangle into eight columns wide and five rows deep.

    Drawing the Blocks

    Look at my diagram to see how to further divide up your blocks. On the left-hand side draw a thicker line after five columns. Now looking on the right-hand part, which is now 3 columns wide, draw a thicker line 3 rows down.

    From the bottom right corner draw a thicker line two rows over and two rows up. Finally divide the last two into one cube each. Keep looking at the block diagram to make sure that you are dividing your rectangle into the squares correctly.

     

    Drawing the Curves

    When drawing the lines with your compass make sure to press lightly. You just want the line to be a guide we are not engraving on the page. The pencil I have in my compass is a 2H pencil. Make sure the tip of the compass point and the tip of the pencil are at the same place (when the compass is closed) before you start.

     

    Steps

    • With your pencil compass place the point at the origin position shown by the red dot and draw two quarter circles over the one cube blocks.
    • Move your compass point to the origin position marked with the dot and draw a curve two blocks wide as shown.
    • Move your compass point to the third origin position shown and draw a curved line over three blocks.
    • Move your compass point into the final five block origin position and draw an arc five blocks wide as shown.

    Number 1 Block

    See below.

    Number 2 Block

    See below.

    Number 3 Block

    See below.

    Number 5 Block

    See below.

    Dividing Into Segments

    Now we are going to divide each of the number blocks one, two, three and five into segments (like an orange) to indicate the growth of the shell.

     

    Number One Blocks

    The number one blocks do not get divided as they are just one.

    Number Two Blocks

    The number two block division is from the origin point (where we put the compass in) draw a line at 45 degrees dividing the number two block into two segments.

    Number Three Blocks

    Considering the three blocks, place your protractor crosshairs at the origin point (where you put your compass point in) for the number three blocks, remember to reference the drawing.

    We’re going to divide the number three block into three, so that will be 90-degrees divided by three will result in 30-degrees per segment. Make a light mark at 30-degrees from the horizontal and 60-degrees from the horizontal on your page. With a ruler, join the origin point for the number three blocks with the 30-degree and 60-degree mark lightly in pencil. Do not extend the line past the curve.

    Number 5 Blocks

    We are going to divide the number five blocks into five segments. Place your protractor cross hairs at the origin point for the number five block. To divide 90-degrees by five each segment will be 18-degrees wide. Counting up from the horizontal, make a light mark at 18-degrees and then one at 36-degrees (2 x 18 = 36). 

    Next, counting left from the vertical, make a light mark at 18-degrees and one at 36-degrees. Take your ruler and lightly draw a line from the origin point to the marks you have just made. You will draw four lines here thus dividing the five block into five segments. Do not draw these lines past the curve of the shell.

     

    Erase Marks

    Lightly erase any pencil marks that are now unneeded and unnecessary before you start to color. I also used a kneadable eraser and lifted quite a bit of the graphite from the page just leaving faint lines there as a guide.

    Coloring the Shell

    I chose to colour my Fibonacci shell in tones of yellow and the background in tones of blue. Yellow and blue is always a great color combination to use in artwork and you can see this to great effect in Van Gogh’s “Starry, Starry Night” painting.

    Take your time as this is the fun part. Color in the background with different colors of blue. Relax and color in each little segment withing each block carefully. There will be many triangles and slivers of block now. Finally, I went over with a heavy black pen and redrew the curve of the Fibonacci shell and the artwork outline.

     

    Completed

    Voila, and there is your completed sketch. It is a fascinating shape as the Fibonacci shell continues to spiral outwards from the centre point. This shape resonates with us as it is part of the natural world.

     

    What Not to Do

    When I first started drawing the Fibonacci shell, I couldn’t get it quite right because it’s quite a tricky pattern. I tried several times, over a few days, to divide the shell because I wanted to you to see the striations and stripes on the shell which is how the actual Nautilus shell looks.

    Now I’m going to show you my first few original efforts, so if for some reason you do make a botch, you will be happy knowing that it happens to everyone. 

    These first two drawings are examples of what not to do when trying to draw the Fibonacci shell. The third one is correct.

     

    fibonacci-shell

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    Below is the correct one.

    Aspiring Artist Activity

    In your sketchbook, please draw the Fibonacci shell by doing the following:

    Aspiring Artist Activity

    In your sketchbook, please draw the Fibonacci shell by doing the following:

     

    • Measure the blocks carefully.
    • Draw the curves carefully.
    • Divide the segments carefully.
    • Colour in and embellish your artwork as you see fit.

     

    Share

    Share your artworks on social with the hashtag #AHAFibonacci.

     

    Alison Hazel

    Author Bio

    Alison Hazel is a woman who shares her ongoing journey about becoming an artist later in life. She creates simple art that anyone can make. She hopes to inspire you to reach your creative potential in the area that suits you.

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